Tag Archives: YA fiction

Book review: ‘Going Vintage’ by Lindsey Leavitt

Going VintageAfter she discovers her boyfriend cheating on her with a virtual girlfriend, 16-year-old Mallory decides she’s over technology. Her grandma got along just fine without FriendSpace and smartphones and digital gossip back in the ’60s, and Mallory decides “going vintage” is the way to sidestep her problems. Armed with a list created by Grandma fifty years earlier on how to make the most of her school year, Mallory recruits her sister in a scheme to shun modern technology until the current storm passes.

And pass it does — though not in the way Mallory expects. Jeremy doesn’t take the break-up well, even given his own indiscretions, and goes on a mission to win her back — though a handsome newcomer seems intent on showing Mallory what she’s been missing. Family rivalry, vintage throwbacks, sisterly love . . . all in a day’s work.

Lindsey Leavitt’s Going Vintage is a cute, offbeat young adult novel that will find a home with hip teens. Since anything old-school is trendy right now, I definitely appreciated that the story felt quite of-the-moment. You know how sometimes you read teen novels and think, “No one would ever talk like this, dress like that, react that way . . .” ? And it totally ruins it for you because, you know, you might not be a teen yourself, but you’re not that old and clueless? Doesn’t happen here.

Mallory herself is a pretty empowered gal. Not to go all “she’s a good role model!” on you, but honestly: she’s a good role model. Not content to wrap herself up with a dude, our girl makes her own decisions — and has no problem bucking trends. When a cute but slimy boyfriend does her wrong, she ditches him. When everyone else is glued to texting, she favors a more “old-fashioned” communication: actually talking on the phone. On a landline. To Oliver, who is absolutely adorable.

I fell a little in love with Oliver . . . and not just because it’s my favorite boy’s name. He’s Jeremy’s polar opposite, and his banter with Mallory couldn’t be matched. I loved his enthusiasm and Eagle Scout qualities — though he had a bit of a sassy streak, too. Basically, I loved that every character in Going Vintage left doormat status and developed a personality of their own.

And though the story has an overarching theme — don’t let technology rule your life – it has a surprising moral, too: don’t wax poetic about the past. Mallory’s grandmother, the inspiration for “going vintage” in the first place, does her part to keep her granddaughter rooted in the present. I loved Ginnie, Mallory’s kid sister, and her frankness. I also liked that the Bradshaws had offbeat jobs: Mal’s dad is an “antiques dealer,” which means he frequently prowls abandoned storage units looking for deals (think “Storage Wars”), while Mal’s mom has a surprising but modern hobby that generates the family cash (it’s a secret!). Another way in which this “vintage” story felt very current.

Fans of young adult fiction looking for a light, quick read will find much to enjoy in Going Vintage. Though it took me about 50 pages to get truly invested in the story, I couldn’t stop reading once I’d been hooked. I liked that the high school characters didn’t act too old or too young, and I appreciated that Leavitt could right some serious witty banter. A fun, enjoyable story.


4 out of 5!

ISBN: 0345532740 • GoodreadsLibraryThingAmazonAuthor Website
Digital review copy provided by publisher in exchange for my honest review


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Book review: ‘Populazzi’ by Elise Allen

Cross “Mean Girls” and “Never Been Kissed,” throw in a potent dash of TV shows like the new “90210″ and mix with a side of “She’s All That” (oh, the ’90s!) for a taste of Elise Allen’s Populazzi, a young adult novel with plenty of sass mixed with its teen angst.

“Cara has never been one of those girls: confident, self-possessed, and always ready with the perfect thing to say. A girl at the very top of the popularity tower. One of the Populazzi.

“Now, junior year could change everything. Cara’s moving to a new school, and her best friend urges her to seize the moment—with the help of the Ladder. Its rungs are relationships, and if Cara transforms into the perfect girlfriend for guys ever-higher on the tower, she’ll reach the ultimate goal: Supreme Populazzi.

“The Ladder seems like a lighthearted social experiment, a straight climb up, but it quickly becomes gnarled and twisted. And when everything goes wrong, only the most audacious act Cara can think of has a chance of setting things even a little bit right.” (Goodreads)


Being an avid fan of such flicks mentioned above (especially “Never Been Kissed,” which I watched on endless repeat as a teen), I had a feeling Allen’s Populazzi would capture much of the spirit I enjoy about those films: the desire to stand out while still fitting in; the pressure to find a boy/girlfriend and keep them; the hope of being liked and understood by a good group of friends
. . . these are the issues that devour our energy in youth. And though I’m a decade removed from that time of my life, it’s not hard to put myself back there.

What I’d hoped to find in Populazzi, Cara’s story of rising to power in a suburban Pennsylvania high school, was there . . . if a little less compelling than I’d hoped. Not to sound like a big ol’ prude, but I found the novel’s focus on sex, drug use and changing to ascend a fictional “Ladder” to “Supreme Populazzi” a little unsettling. Though she’s eventually held accountable for her actions, Cara lies to her parents, sneaks around, dresses a “part” and almost sabotages her future by missing a very important college-related meeting. And subplots involving a creepy, emotionally abusive stepfather and pot-smoking ex-boyfriend left a sour taste in my mouth.

It’s all typical teenage stuff, I’m sure. But it left me feeling a little spent.

Though the ultimate message of the story was a positive one (be yourself and behave yourself), Cara had to go on quite a journey to get there. I couldn’t help but feel like Claudia, her best friend at the school Cara left behind, was intentionally leading her astray. Encouraging her to make bold moves without having to deal with the fall-out, giving her seemingly ridiculous advice about dumping dudes to “move on to the next one” in the name of popularity . . . well, it smacked of poor judgment. And being mean.

I guess that’s my major hang-up with the story: Cara didn’t endear herself to me. I found her actions callous at best and dangerous at worst. Becoming “emo” to attract the attentions of a bad-boy rocker goes contrary to every bit of advice we’re given when looking for a partner: don’t change for anyone else. And though I hate sounding like a serious fuddy-duddy, that didn’t work for me.

But.

Despite my reservations and occasional discontent, Populazzi is an entertaining tale in the vein of those aforementioned ’90s teen flicks. It’s fun. Archer, our male hero, has plenty of swoonworthy moments with our lead . . . albeit their timing is continuously off throughout this big novel. We spend half our time wondering if Cara and Archer will cast aside their squabbles to actually communicate around their epic miscommunication, but I had a hunch — call it readerly intuition — that this one would have a happy ending.

And it did. For all her wardrobe changing, personality shifting, friendship busting and hot guy crushing, Cara ultimately sees the value of doing the right thing — and when given a chance to ruin someone else’s life for the sake of popularity, she makes a surprising decision. I felt a sense of maternal pride in our heroine then — and realized with a jolt that I’m starting to feel maternal toward teen characters.

And that scared me. Especially since I keep plucking stark-white hairs from my scalp. (Hi, I’m 27 going on 77. Don’t mind me.)

Fans of young adult fiction and stories where the “mean girls” get theirs will find some humor and heart in Allen’s Populazzi. As the characters often find themselves in pretty “adult” situations and there’s plenty of frank talk about sex, drinking, etc., I wouldn’t recommend it to readers younger than 14. Or, heck, 16. Or maybe 18.

And you kids get off my lawn!


3.5 out of 5!

ISBN: 054772196X ♥ GoodreadsLibraryThingAmazonAuthor Website
Review copy provided by publisher in exchange for my honest review


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Book review: ‘When You Reach Me’ by Rebecca Stead

Rebecca Stead’s When You Reach Me was one of those novels gathering dust on my shelves since 2009, peeking its colorful head out every so often to squawk, “Hey, I’m still here, you know. Unread. Think you’ll get to me any time soon? You’ve read, like, thirty review books this year. And you paid good money for me, you idiot.”

Books can be so rude.

Set in the 1970s, When You Reach Me defies categorization. Its middle-school protagonist Miranda seems to settle it in a middle-grade or young adult fiction camp, but the themes — family; loyalty; friendship; time travel – speak to a diverse audience. As a 27-year-old who hasn’t dealt with bullies or mangled friendships in quite some time, I still found myself intrigued by Miranda’s story and easily relating to the complicated web of school dynamics. And there are these mysterious notes . . .

The time travel aspect was one of the most startling and delightful bits of this unique, fast-paced story. Loosely centered on the friendship between Miranda and best friend Sal, When You Reach Me has a series of odd letters at its heart. Miranda is a huge fan of Madeleine L’Engle, devoting her days to reading A Wrinkle In Time (which she refers to only as “her book”), and the reader starts to think all this time-travel business has gone to her head. She’s daydreaming, I thought. Or, She’s hallucinating.

To be honest, I wasn’t always sure of what was going on. But that disjointed nature — that confusion — made the ending all the sweeter.

For young readers, Miranda is the type of heroine we would wish our daughters to emulate. She’s whip-smart, inquisitive, watchful, loyal. She’s fearful of the crazy man on the corner, the one who seems to spend most of his time sleeping beneath a mailbox, and devoted to her mother. Throughout the narrative, Miranda’s single mom is preparing for a stint on a game show — and “The $10,000 Pyramid” is seen as a chance to help elevate their small family beyond their meager circumstances. Though Miranda never speaks of being poor in New York City, there’s a huge gap between she and a classmate, Julia — a gap Miranda constantly acknowledges. She was a sweet kid, I kept thinking — and a caring one. A kid you’d like to have yourself.

So much is happening here: Sal and Miranda’s floundering friendship; the kids’ new “job” working at a deli on their  lunch breaks; the friction between Sal and a kid who pummels him on a city street — one who ends up being Marcus, a pivotal character; and the strange notes that keep falling out of Miranda’s possessions, tucked away and packed with private knowledge. As Miranda further explores the concept of time travel with Marcus, the only other kid who doesn’t seem to think her interest is crazy, the pieces come together.

Though the plot is relatively simple, the story has great depth. Three years after purchasing this book, I’d forgotten what inspired me to pick it up — but other readers’ suggestions came flooding back to me as I read. It’s unconventional, surprising, heartwarming, true — all facets of a book I’m happy to call a winner. And when you’re finished, you’ll want to start all over again . . . piecing together the mystery that surprised me from the start.


4 out of 5!

ISBN: 0385737424 ♥ GoodreadsLibraryThingAmazonAuthor Website
Personal copy purchased by Meg


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Book review: ‘We’ll Always Have Summer’ by Jenny Han

Spoiler alert: if you haven’t read the first two in this three-book series, this post will contain spoilers for the previous two — but not this one.


The final book in Jenny Han’s much-loved Summer series peeked at me from my bookcase for more than a year, waiting for the moment — the warm, sun-baked moment — when I would finally throw it in my beach bag. Determined to finish the books at my own beloved beach house, I finally read We’ll Always Have Summer in the Outer Banks this year. And I cried.

Oy, these books. Gut-wrenching.

Considering I’m a sucker for anything relating to those tender, tantalizing days of first love, Han’s series seems tailor-made for me. In the final installment, years have passed since Susannah’s death — and the Conklin and Fisher families have scattered. While Belly and Jeremiah are wrapping up another year of college, Conrad has fled to the West Coast. Though everyone tries to soldier on in Susannah’s absence, they miss her — and their carefree summers at Cousins Beach — terribly.

While Belly still nurses a quiet love for Conrad, her relationship with Jeremiah has blossomed. Inseparable at the college they both attend, life seems perfect — or as close to perfect — as it can be . . . until an indiscretion threatens to separate them. When Jeremiah makes an impulsive declaration, life careens in an unexpected direction. Belly attempts to throw herself into a new life with Jeremiah, but she can’t shake the feeling that she’s uniting herself with the wrong Fisher brother . . .

And oh, angst. Drama. Tears. An epic love triangle.

I love these books.

Han once said that fictional Cousins Beach is a “not a real beach, but it’s sort of based on Cape Cod and also the Hamptons. And just a splash of the Outer Banks!”

Allow me to speak for every reader ever and declare, I want to go there.



Spending more than a few minutes in Belly’s Summer world, it’s not hard to conjure the best days you’ve ever spent along a sandy shore. Despite their often heavy subject matter, there’s something so light and free about Han’s stories — and that’s why I couldn’t wait to fall into her work again in June. I waited almost a year to learn what became of Belly, Jeremiah and Conrad. That is some self-control, my friends.

We’ll Always Have Summer brings us an older, more mature Belly — but she’s just as undecided about Conrad and Jeremiah as ever. Her first love is and will always be Conrad, but the affection she feels for Jeremiah seems to trump those feelings. She tries valiantly to forget the brief time she spent as Conrad’s more-than-friend, which seemed more dream than reality . . . but Belly can’t escape the way she felt (and still feels?) for him.

Other readers have complained that Jeremiah and Conrad did a “flip-flop” of personalities in this final book. While Conrad was always the broody one who couldn’t make up his mind, Jeremiah was the constant in Belly’s life: loyal, sweet and endearing. When Conrad acted like a jerk, it was Jeremiah who swooped in to comfort her. Conrad was the “bad boy” of the Fishers — the one who would ultimately break Belly’s heart. “So what’s with Han doing a 180, then?” others cry. To which I say: they changed. Jeremiah got older, started hanging around with his fraternity brothers, started acting like . . . a college guy. And Conrad, always the more serious of the two, went in a different direction. Just when Jere starts acting like a clown, Conrad gets his act together. It’s a pretty big role reversal, yes, but it made sense to me. Given where they were in life and what they were after, I got it.

By the end of this book, I was thumping my fingers against the text and begging Belly to make the right decision and crying at the pain on Conrad’s face and wishing everyone would just stop being so incredibly stupid. In this final narrative, we’re finally given access to the deep passages of Conrad’s mind — which was a real delight. Like getting the long-awaited key to a very complicated puzzle. But I wanted to shove him into action, too.

Just as in The Summer I Turned Pretty and It’s Not Summer Without You, Belly’s story flips between the past and present. Though it took a bit of getting used to, I’m very accustomed to her style now — and I really like it. I genuinely didn’t know where Belly was headed or which way she would sway, which made the read very suspenseful . . . almost to the point that I had to flip ahead to learn what she would decide. I forced myself to stay in the moment, though, and didn’t spoil it for myself.

And now I’m sad it’s over, of course. I long for it to be summer again. Perhaps Han will humor us and write a “Where are they now?” follow-up a few years on?


4.5 out of 5!

ISBN: 1416995587 ♥ GoodreadsLibraryThingAmazonAuthor Website
Review copy provided by publisher in exchange for my honest review


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Book review: ‘In The Bag’ by Kate Klise

Armchair travelers rejoice! Kate Klise has penned a funny, light and speedy read transporting readers through Madrid and Paris with two love stories entertaining enough for me to devour the whole thing on a three-hour train ride. And I have no regrets.

“A successful chef and single mother, Daisy Sprinkle is on vacation with her teenage daughter, Coco, who picks up the wrong duffle bag at the airport. That situation is not improved by the note Daisy finds tucked into her carry-on, apparently from the man in 13-C. Daisy is in no mood for secret admirer notes or dinner dates. Or even men, for that matter.

“Andrew doesn’t know what possessed him to do something like that. Hitting on strange women on airplanes is definitely not his typical style. But there was something about the woman in 6-B that could not be ignored. Of course, now he has no time to think about her, since his son Webb seems to have made off with a budding fashionista’s luggage.

“Determined to make the best of a bad situation, Daisy cooks up a plan to calm her daughter’s panic over the lost bag with a week of fabulous food, shopping, and museum hopping. Andrew is busy working on his latest project and hoping Webb finds enough to entertain himself. Little do they know the teens are making their own plan. . . one that will ultimately reunite Ms. 6-B and Mr. 13-C.” (Goodreads)


If In The Bag sounds like a kooky novel relying on uncanny coincidences to further the plot, you’re right — and I liked it. Though far from unpredictable, it’s easy to see how fate plays a role in joining together four people; the whole novel has a sort of “Sleepless In Seattle” feel to it. You know what I mean? Like everything is destined to work out, but only the audience can see it. And we’re along for the ride.

Good thing I love “Sleepless In Seattle.”

Though Coco’s typical-teenage-character whining (“Mooooom! You’re ruining my life!“) nonsense took a while to stomach, I eventually took a shine to her. Both Coco and Daisy are struggling to sort out their roles in the mother-daughter dynamic, especially as Coco gets older and prepares for college. Their trip to Paris is supposed to be a chance to reconnect and recharge their batteries, especially for Daisy, but nothing seems to be going their way.

After a luggage mix-up, they’re linked to Andrew and Webb, a handsome father-son pair, and it’s not complicated to see that Teen Girl A will feel a spark with Teen Boy B. Communicating exclusively through email, In The Bag focuses often on the role of digital courtship versus the more traditional ways of getting to know someone (like, you know, in person). Daisy is wary of technology while Andrew embraces it; Coco and Webb are, of course, glued to whatever Internet cafe they can find abroad. I liked the explorations of “modern” courtship — they made sense, and Klise wasn’t heavy-handed about it. The whole “OMG people don’t really talk anymore” overtures popping up in contemporary fiction are getting stale.

Those who love a side of scenery, French food and wicked descriptions of Europe with their love stories will definitely find plenty to enjoy in In The Bag. Flipping between sunny Madrid and romantic Paris, it’s the sort of novel that will have you wanting to pack a bag immediately. (Just hope it doesn’t get lost.) Though I got more of a sense of France than Spain, that’s probably because Webb spent his time in Madrid talking to Coco in Paris — so we see less of the city through his eyes. Still, the travel aspects were fun, and I enjoyed the “Americans abroad” perspective.

In The Bag definitely has crossover appeal. Adult readers and chick lit lovers will relate to the harried-parents-doing-the-best-they-can relationship between Andrew and Daisy; teens have plenty to get their blood pumpin’ regarding the sweet but flirtatious evolution of Webb and Coco’s emails. By the time the pair meet face-to-face, I was grinning — I mean, who wouldn’t root for those crazy kids? And when things don’t go exactly as planned, I could sympathize. For as much as I had to suspend disbelief at points, Coco and Webb’s meeting was painfully realistic.

Though I sometimes get twitchy about labeling something a “summer read” (it can just seem dismissive), that’s exactly how I would describe In The Bag: light-hearted fiction that can be easily consumed while working on a tan. It doesn’t demand too much of you. It can be read in chunks and set aside for days or gobbled up all at once; either way, it doesn’t lose its charm. It’s fun and frothy. And that cover is too cute.


3.5 out of 5!

ISBN: 0062108050 ♥ GoodreadsLibraryThingAmazonAuthor Website
Review copy provided by publisher in exchange for my honest review


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Book review: ‘Girl Unmoored’ by Jennifer Gooch Hummer

Sometimes a novel hops into your lap, looks into your weary eyes and wraps its little paper arms around you. The hug from this book feels so real, so good that you never want to part with it — and that’s exactly how I feel about Girl Unmoored. And Apron Bramhall, a redheaded teen heroine unique enough to match her name.

It’s 1985 in small-town Maine, and seventh-grader Apron Bramhall is grappling with many competing forces: the aftermath of the unexpected loss of her mother; her father’s sudden remarriage to Marguerite, a woman Apron stubbornly refers to only as “M”; the betrayal of her best friend and its accompanying loneliness; and the appearance of Mike and Chad, two florists who form an unlikely alliance with our young heroine.

In a story brimming with love, warmth, loss, grief and everything in between, Apron must come to grips with her changed family — and the changing world.


It’s almost impossible to summarize Jennifer Gooch Hummer’s Girl Unmoored — mostly because this story was so much more than I ever thought it would be, and caused me to feel So Many Emotions I can barely articulate them all. Knowing it deals with loss and grief, I wasn’t sure how maudlin the story would become . . . but in Hummer’s very talented hands, what could have ventured into sad-sack territory somehow left me feeling enlightened and uplifted.

Reflecting on the book, that’s the word that keeps coming back to me: uplifted. Because even a book about death, homophobia, pain and ignorance somehow left me feeling good. And yes, I’m serious — I think it would be nearly impossible to finish Girl Unmoored without some sort of smile on your face. Because Apron? She’s amazing. And I’m feeling amazed by how much I adored this book.

Where was sassy, bright, hilarious, brave and klutzy Apron when I was 13? Because really, girl knows what’s what. Partly because her mother’s terminal illness robbed her of a childhood, I know, but she’s incredible all the same. After all these changes, Apron feels . . . well, unmoored. At least until she meets Mike, a handsome actor portraying the title role in a local theatre’s production of “Jesus Christ Superstar.” Apron attends with her judgmental friend Rennie, a simple girl who comes from a deeply religious family. When word gets around that Mike is a little more than “friends” with Chad, and that Chad is has a mysterious illness, proverbial — and literal — stones are cast at them. And Apron — amazing Apron — is somehow the link that holds everyone together.

I can’t tell you why I loved this story so much, but I read parts with my hands shaking and tears streaming down my face. One particularly incredible moment — which I won’t spoil for you — comes near the close of the novel . . . when Apron retrieves a photo of her mother to give to someone in need. When she passes it over and explains why she’s sharing it, I actually felt like my heart was breaking. Like, cracked open on a broken mirror. And it’s been a long time since I felt like a book was breaking through that harsh Meg exterior.

I loved Hummer’s writing and Apron’s unique turns of phrase, especially when she was embarrassed or scared or angry (“My hair is melting,” for instance). I loved Mike and Chad and the pure devotion they had to one another; I even loved Dennis, Apron’s screwed-up, grief-stricken father, because I can’t fault him for what he does and somehow wound up caring deeply for him. Even “M,” Apron’s mother’s nurse-cum-wifely-replacement, had her endearing moments . . . until she said something that made me want to punch her. And then? Then I was glad things worked out as they did. I also loved Dennis’ obsession with Latin and how he instills a passion for it in Apron, and how each chapter opens with a telling phrase that had me wanting to read them all aloud.

Despite all my crying fits, I finished Girl Unmoored feeling like I could spend another 1,000 pages with Apron. Like I wanted to meet up with her a decade later for coffee, chatting about what she’d done with all that curiosity, courage and intellect. Though our narrator is a kid, absolutely nothing about this book is child-like — and I’m not sure how it’s being marketed. Young adult fiction? Coming-of-age drama? Contemporary fiction?

Regardless, readers, lend me your ears (eyes?): read this book. You will feel human and alive. It’s the one I’m going to be touting all year, declaring to others that this is the book we should all be trying to write. And the one we should all want to read.


5 out of 5!

ISBN: 1936558300 ♥ GoodreadsLibraryThingAmazonAuthor Website
Review copy provided by publisher in exchange for my honest review


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Book review: ‘Cinder’ by Marissa Meyer

You can’t bump around the reading world lately without seeing mention of Marissa Meyer’s Cinder, a new dystopian novel placing a pot of cyborgs, magical powers and evil stepmothers on simmer. If you’re a fan of “Cinderella,” that most classic of all fairytales (and Disney movies!), you’ll be intrigued by this one. But I’m not sure it lived up to the hype.

Cinder, a talented mechanic, toddles along the streets of New Beijing, China, trying to attract as little attention as possible. Her stepmother favors Cinder’s two sisters, Peony and Pearl, and pilfers the money Cinder makes working in a street market to enhance their lavish lifestyle. Relying on her own wits and savvy after her stepfather’s death, Cinder has no recollection of her mysterious past — or even how she arrived in New Beijing. But she’s about to find out.

Handsome Prince Kai, the future Chinese emperor, arrives at Cinder’s booth needing help with a royal android. Now on the prince’s radar, Cinder works to help repair the damage as a deadly plague begins to sweep Earth — and their city. When Peony falls ill, Cinder is blamed for her exposure to the sickness
. . . and must work quickly to save her sister’s life. What happens next changes the course of everything.

Cinder has a little bit of everything beneath its intriguing cover: romance; family dynamics; threat of annihilation; magical Lunar people. There’s all this talk of who Cinder really is and where she comes from and why she’s so special, so different from everyone else. There’s Prince Kai, who we’re told is all hottie hot (a rebellious Prince Harry, if you will). There’s all this talk of impending doom and disaster, and yet . . . I didn’t feel it.

I don’t know. I feel guilty. But I wasn’t crazy about this one.

First, the good: Cinder is the bold, stereotype-busting heroine we all love to see in YA literature. She’s not the demure young lady tucked away in a corner with her needlepoint. This chick is a mechanic, for goodness’ sake; she is hardcore. She’s up to her elbows in grease all day, fixing things that need fixing and building her positive reputation. Prince Kai comes to her because he hears she’s “the best” at what she does, and that’s pretty bad ass for a teenager.

But. But. I never really felt emotionally connected to Cinder. I felt for her and could sympathize with her plight, but as far as the twists and turns surrounding the discovery of her identity? I just wasn’t there. At many points I knew I should feel shocked or bamboozled, but I just never did. The whole thing was very tepid. I liked that Meyer changed up the fairytale, actually making Cinder very close to one of her “evil” stepsisters, but that wasn’t enough for me. I never felt engaged with the characters.

I just couldn’t get down with the Lunar people, either. Evil Queen Levana was a caricature, what with her wanting to take over the planet and all. Magical people living on the moon and threatening to screw up everything we’ve got going on here on Earth? Okay . . . I mean, I thought I could go with that. I started Cinder knowing it was a fairytale retelling, but the story never absorbed me enough to suspend my disbelief.

But you know what? I’m completely in the minority here. I’ve read positive review after positive review of Cinder, and all these fine and fashionable reviewers can’t be wrong. If you like dystopian fiction, fairytales turned on their heads or get down with fantasy, Meyer’s unique debut might just be for you.


3 out of 5!

ISBN: 031264189 ♥ GoodreadsLibraryThingAmazonAuthor Website
Personal audio book won in a giveaway from Capricious Reader


My thoughts on the narration: After getting my proverbial feet wet with audio books, I’m beginning to understand just how important a good narrator is to a production. Bad ones can completely ruin an otherwise great story for you, and I’m becoming much more discerning in the books I choose. That being said, Cinder’s narrator, Rebecca Soler, did a fine job voicing the titular character. As other reviewers have stated, it’s strange that Cinder — a Chinese character — would have an American accent, and I didn’t get much cultural flavor from the narration. But whatevs.

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