Tag Archives: love

Book review: ‘Cascade’ by Maryanne O’Hara

CascadeI have to sort out my feelings on this.

Maryanne O’Hara’s Cascade has been on my radar since I caught a glimpse of its gorgeous cover last summer, and Audra’s review tipped this into “book lust” category. Why it took me another nine months to read it? Honestly, I don’t know.

But since finishing Cascade early Sunday morning, it’s been lingering behind my eyelids. I read the last 100 pages in a sitting, almost breathless to discover what would become of star-crossed Desdemona, but felt something akin to grief upon finishing O’Hara’s captivating story.

I didn’t want to say goodbye.

Sometimes books speak to us — uniquely, exclusively. The elements of a particular story combine to seem formed just for you . . . and so it was with Cascade. I should preface my review by acknowledging my deep, overwhelming fear of water. Of drowning. Of being pulled under. The idea of an entire town being purposely dismantled and flooded to form a reservoir — of a place that once existed but has since been razed, morphed into a lake — is both fascinating and horrifying.

Cascade, Massachusetts is the kind of quintessential New England town you’d imagine Norman Rockwell’s subjects to inhabit. It’s idyllic and quaint, filled with friends and gossips — a place where everyone truly knows your name. Desdemona “Dez” Hart Spaulding grew up here, buried her mother and brother here, and shelved her dreams of art and New York to provide for her father in the last months of his life. Broke and facing homelessness, Dez agrees to marry Asa Spaulding, a goodhearted pharmacist, so William Hart will be safe in his final days. She’s so absurdly grateful for a roof over her head that she never hesitates to bind her life to Asa’s.

It’s the 1930s. The Great Depression. After the Roaring Twenties, after the Great War changed everything. As news of dust storms blotting out the sun clutter newsreels and bread lines curve around buildings, Dez knows she should be content — grateful — for the relatively comfortable life she shares with Asa. But after her father’s death, a feeling like claustrophobia pushes the air from her lungs.

And things are heating up in town. Long rumored but never made official, word is spreading that the state is finally ready to build a new reservoir for Boston. With its proximity to water and the city, Cascade seems the ideal choice. When Massachusetts sends out Stan Smith, a portly worker for the Water Authority, gossip and worry seep into the town’s very pores. Dez befriends Stan after he stops into her husband’s pharmacy, trying to glean information or a shred of hope for Cascade’s future, but the flood waters already seem to inch around the town. If chosen, Cascade faces imminent ruin. Complete demolition. To be filled until nothing remains.

In that atmosphere of uncertainty, a friendship between Desdemona and Jacob Solomon begins to blossom. A Jewish peddler carrying on his father’s traditions, Jacob also has artistic ambitions — and finds a kindred spirit in Dez, the savvy and creative daughter of a play master. With an appreciation for Shakespeare thanks to her father, Dez is worldly and interesting and nothing like most of the folks in Cascade: a group typically content to drink their root bear floats at Asa’s soda fountain and malign Jacob’s good name because he’s “one of them.”

With tensions brewing in Europe and in New England, Dez is faced with an earth rapidly shifting beneath her feet. And it’s time to make a move.

Reading Cascade was such a lush, complicated experience. My description doesn’t do justice to half the threads weaving O’Hara’s moving novel together — but a girl has to try. Of the many elements happening in one 350-page book, the connection brewing between Dez and Jacob captivated me completely. My heart literally ached reading about their friendship, however brief, and the story’s progression found me desperately hoping for something I knew could never be. Without giving anything way, I felt splintered by the novel’s close. Just splintered. Gut-punched.

And that’s the mark of a great story.

And this was a great story . . . the first 5-star book I’ve read in almost a year. A wholly unique tale. One with which I sympathized, and empathized, and became completely swept inside. Between its mirroring of Shakespearean classics and historical tidbits of life just before Pearl Harbor, O’Hara does a masterful job of portraying a town facing imminent destruction just as millions face a gruesome end in Europe. The distrust of the Jewish population — and of Jacob — was devastating, and made me thankful for the intervening years since World War II.

Just as interesting was the art scene — a vivid world portrayed through Dez’s work and connections. New York seemed a wholly familiar and unfamiliar place through O’Hara’s pen: a world I know but do not know. I loved the descriptions of Dez’s paintings and plans, and the light-filled studio rooms in which she would recreate safe spaces. It was romantic and lovely. And the overarching theme — “nothing gold can stay,” if you will, or nothing and no one lasts forever — made me sad and reflective but ultimately . . . hopeful? Yes. Hopeful.

There’s so much I want to talk about, but so much I cannot talk about. This is a story you need to experience and devour yourself. Though it took me 80 pages or so to become fully invested in Cascade’s future, I feel changed as a reader for having read this book. It was magnificent. There aren’t too many novels I’d herald as “a triumph,” the hyperbole of that making me squint, but seriously: Cascade is phenomenal. It touched me. It made me cry. It broke my heart. It raised so many questions.

I absolutely loved it, and it’s time to discover it for yourself.


5 out of 5!

ISBN: 0143123513 ♥ GoodreadsLibraryThingAmazonAuthor Website
Review copy provided by Historical Fiction Virtual Book Tours
in exchange for my honest review


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The story we’re painting together

Paint samples


Buying paint is such a grown-up thing to do.

And six months from being a married woman, I’m starting to feel like one.

I don’t know why it’s taken so long for us to slap some color on the walls. Spencer became a homeowner almost two years ago, and we were both pumped to decorate his space. It was a blank canvas — literally. White walls, beige carpet. Nothing but empty space to fill, fill, fill.

But the options were overwhelming. Since we could do anything with the kitchen and living room and hallways, the options were too much. And I have no real clue about interior design. For years I was actually afraid to really make any bold moves in the house, nervous about stepping on Spence’s toes as The Girlfriend who didn’t, you know, live there. How could I decide what he should have to look at when I was only there half the time? It didn’t seem fair.

That being said, that was all firmly in my head. Spencer never gave me anything but free reign to help design and decorate his home into a very “us” space — even before we were engaged. But now that we’re six months out from the wedding, I feel the earth shifting. I’m moving in soon. And we’re trying to get things organized before that happens.

In addition to redesigning the master closet to accommodate my avalanche of clothes and shoes and bags (that should be nice and scary), we’re finally sprucing things up. Hanging prints and photos. Dusting. Vacuuming the nooks and crannies. Going through old boxes. We went through the bedroom and closet on Sunday, getting rid of the detritus that tends to accumulate, and it felt so nice and productive. We opened the windows, got a trash bag and began sorting and throwing out and organizing.

I do like to be organized.

So that’s one little corner down. After procuring the Borders bookcases two years ago, our work around the living room came to a stop. We did quite a bit of reorganization after Christmas, moving decorations and ornaments to a hall closet, but haven’t done much of a purge since then.

Spence jokes I’m moving in one garbage bag at a time, and that’s not entirely untrue. I bring something with me every time I come over. Lately I’ve been sorting through my clothes at home, donating older items to charity and bagging up the out-of-season clothes to bring to Spencer’s. I’ve already moved several trash bags full of sweaters and hoodies, plus all of my work-out clothes (Lord knows I barely use them). I’ve also dragged all of my winter coats and jackets over and hung them with Spence’s in the hall closet.

Moving is weird. I still live at home. I never moved out, not even for college, and as a 27-year-old woman with a lifetime of memories in one childhood bedroom? Well, it’s strange. It’s hard. I’ve moved beyond fear at the idea of leaving to excitement at the prospect of sharing a home with my guy, but it’s still going to be odd to live full-time in another town.

Hmm.

But not going to dwell on that. Let’s talk about paint! After years of staring at white walls, Spence and I finally made a plunge last weekend. We decided the living room was in need of an accent wall — and since we were juuuuust getting started with this whole color thing, it seemed like the logical place to begin.

We motored over to check out paint at a home improvement store, the first time I’ve ever been excited to hang out in one, and grabbed swatches in varying hues. We finally narrowed our choices down to three and bought samples, which came in cute little containers. Our living room is mostly green, brown and taupe, so we were looking for something earthy but bold to complement the palette we have going on right now.

So we chose red, naturally!


Spencer painting


It sounds weird, I know, but stick with me. Though Spence and I may not have identical tastes in decor, we’re both suckers for red (our primary wedding color, in fact). We brought home samples in deep purple, an olive-toned brown and this unusual, bold red hue . . . and after Spence painted swatches on the wall, we agreed immediately that red was it.

Plus, as an added bonus? The red will totally complement our postcard pillows. Visiting Spence’s family in New York last summer, I stumbled upon fabric featuring vintage postcards in a quilting shop. I fell in love instantly, of course, but had no clue what I would do with said fabric. My lovely soon-to-be mother-in-law is a talented quilter and certainly no slouch with a sewing machine, so she kindly made pillows out of the fabric when she came to visit at Thanksgiving. I am in love with them. And they’re beige, green . . . and red!


Postcard pillows


Are we strange enough to match an accent wall to a collection of pillows? Maybe. But in all honesty, I just think the red looks really cool. We’ll officially convert the wall to red later this week, and I’m enjoying the little splash of color in the meantime.

You know, I was terrified when Spence first dipped his brush into the paint — afraid of the enormity of bright red on a white wall. It was so permanent. And scary. But once it was done, decided and begun, it was invigorating. It’s the second life of his home — our home. We’re ushering in a new chapter, scrawling the rest of the story . . . the one we’re writing together.

Or painting together.


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The day we met

Spencer and me


Three years ago today, I met my future husband.

After joining an online dating site, I’d been out on a few dates — but hadn’t felt that connection with anyone. Everyone was nice, respectable . . . and just not the one. Spencer was my third date that week, and the one I was most looking forward to — mostly because I could tell, from our cheeky (though limited) online profiles, that he was someone with whom I could have a real conversation. Someone with shared interests. Someone who seemed kind, and funny, and interesting.

And he was really cute.

The date went well, needless to say. I remember babbling about it on Twitter immediately beforehand, then feeling shy to share how great he was after. We went on a dozen dates over the next few weeks, then made it “Facebook official” shortly thereafter. He joined my photography club, started hanging with my friends and family, and was simply knitted into the fabric of my life. I met his parents that summer; we took our first trip to New York in August. And that’s that.

It’s funny to be celebrating our “dating-aversary” this year — now that we’re engaged, I mean. It feels different. We have other anniversaries now, too: like the day we got engaged. And, come November, our wedding day. Here’s an interesting question: post-wedding or post-commitment, do you and your significant other still celebrate the day you met? Or when you made your relationship “official”? Do you remember the date?

All for research purposes.

For our second anniversary last March, we took a trip to historic Fredericksburg, Va., to see the sights, sip milkshakes and wander around in the damp spring air. This year will be decidedly more low-key and, with our new healthy eating, won’t include any awesome desserts like our last celebration. (Le sigh.)

But we do have our official engagement photo session scheduled for Saturday! So pumped. I found a new dress for the occasion, and I’ll let you in on a secret: I snagged it for a meager $6. It was marked $20, and even that seemed like a steal. But $6?! I could have screamed. I almost did. Or I may have . . . I don’t know. Kind of blacked out there for a second.

Bargains have that affect on me.


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Love stories that won’t make you gag

It’s Valentine’s Day!

Hearts and sparkles and candy for everyone!

For as much as I love heart-shaped things and red things and L-O-V-E, there’s something undeniably cheesy — albeit fun — about this holiday. I have fond memories of writing out little cards for my classmates growing up, then waiting for my latest crush to declare his feelings on February 14. When the proclamation wasn’t forthcoming, I tried to tell myself there was always next year. Always the romantic!

My fiance and I will be cooking up a storm at home and avoiding the crowds tonight, and that’s just fine with me. On our first and only “engaged” Valentine’s Day, I’d rather avoid the chaos and catch up on “Downton Abbey” (though sweet Cupid, it’s been really depressing lately). We went out on Sunday for our traditional French dinner in a nearby town, and it was a sweet and personal evening!

ChocolatesAnd on this day devoted to romance, I’ve been thinking about love stories. I haven’t read enough good ones lately. I’m always seeking something sweeping in magnitude — yet grounded in reality. I want a give-and-take relationship between two people who recognize that while they could stand separately, they’re better together. I want my novels to be romantic without provoking frequent eye-rolls, and y’all know I can get down with an eye-roll. (It’s how I roll.) (And sorry for that bad pun.)

When it comes to love stories, I usually require them in my reading. An otherwise fabulous book without the emotion and drama of a blossoming romance just doesn’t hold the same appeal. There are exceptions to this, of course — and the love story itself is a delicate balancing act. It’s crucial to have things develop naturally — or for me to feel like they do, anyway.

I’m probably not making any sense. Too many contraband Valentine’s chocolates. Sugar rush!

(Only kidding. I’m still committed to healthy living, though those heart-shaped Peeps are eyeballing me.)

And so, in honor of this day of love, I present to you . . .


Meg’s Favorite Love Stories
(That Won’t Make You Gag)


The Lost Art of Keeping SecretsOkay, I’m a little biased with this one — because it’s one of my favorite books of all time. No exaggeration. In fact, if I can convince you to read one book in my years of book- and life-blogging, I hope it’s Eva Rice’s The Lost Art of Keeping Secrets. It’s that good — and I’m that serious. Though the romance in Rice’s novel isn’t center-stage, it’s unforgettable . . . just like this story. In fact, I really need to pluck it back off my shelf; we’ve been separated for far too long.


I Remember YouBeyond its quaint setting in the English countryside, Harriet Evans’ I Remember You is everything I devour in a novel. Particular care is paid to the two leads: childhood best friends who grow up in one another’s pockets, but separate over the years through grief, romance and everything in between. Though it occasionally falls victim to some chick-lit cliches, it’s a sweeping tale of first love that really resonated with me — and was one I recommended for months.


Bridge of Scarlet LeavesSeparated by war, hostility and racism, Kristina McMorris’ lovebirds in Bridge of Scarlet Leaves face impossible heartache in their quest to just be together. (Makes online dating look like a cakewalk, eh?) This historical novel, set in World War II, is meticulously researched — and absolutely engrossing. Maddie and Lane make an unforgettable pairing.


The Love Goddess' Cooking SchoolWhen you pair romance with the undeniable pull of Italian cooking, you get a savory dish like Melissa Senate’s The Love Goddess’ Cooking School — and I gobbled it up. A budding romance told against the backdrop of familial love on the coast of Maine, this fun story left me with a full heart . . . and a growling stomach.


Anna and the French KissThere’s no denying the allure of Stephanie Perkins’ Anna and the French Kiss, a young adult novel that took the reading community by storm. With its Parisian setting, dreamy male lead and enticing will-they-or-won’t-they premise (they always start out as “just friends,” don’t they?), Perkins’ debut had one of the best finales I’ve read. I was literally swooning, if such a thing is possible, and I didn’t want it to end. If you’ve refrained from grabbing it until now, consider this your homework. Your Valentine’s Day homework.


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Bookish thoughts on ‘North and South’

So. North and South.

Elizabeth Gaskell, you sly little minx. You’ve managed to completely evade my radar for years — and that includes a pretty substantial English education with a focus on British lit. Until Andi and Heather began talk of a readalong to tackle one of your more famous works, I was operating under the (incorrect) assumption that North and South was a U.S. Civil War-esque melodrama perhaps pitting brother against brother, father against son.

I guess that’s just my American-centric mindset.

Despite being a professed anglophile and lover of history, I can’t say I knew much — if anything — about England’s Industrial Revolution. I can feel you all readying tomatoes to chuck at me now, but I’m being honest — the only thing was a complete mystery to me. I feel like my best introduction to the whole “pastoral to industrial” transition in Great Britain came from watching the opening ceremonies of the 2012 Olympic Games in London.

And that’s what I kept thinking about while reading. How one peaceful, idyllic place — the English countryside — could be home to 19-year-old Margaret Hale for years, and how she would love and appreciate the quaint nature of her home. How different northern Milton would seem — Milton with its filthy air and unwashed workers, fat-cat mill owners and starving children. It would be like something out of a nightmare.

Good thing John Thornton was there.

The premise of Gaskell’s classic, penned in 1855, is this: Margaret, the fairly well-to-do daughter of a minister, is forced to move with her parents from tranquil Helstone to Milton, where Margaret’s father gains employment as a tutor. It’s Mr. Hale’s crisis of faith that removes their trio from the peaceful south to the smoke-clogged north, and a series of troubles begins to stymie her family.

Margaret doesn’t have much to do in Milton. She wanders around as her father takes on pupils and her mother’s health begins to fail, meeting with local workers and learning of their plights in Milton’s mills. She befriends an ill girl, tends to the sick and notices all the children “clemming” — starving to death, that is. People clem a lot in North and South. So much so that I had to Google the monkey out of that word, trying to figure out what the heck was happening to these poor townsfolk.

Mr. Thornton is an enigma to Margaret. As Marlborough Mills’ successful owner and self-made man, he’s part of the nouveau rich that rose to prominence during the Industrial Revolution. Having earned his wealth through determination and ingenuity, he has the respect of many in Milton — but Margaret herself is unmoved. (She thinks, anyway.) As she befriends locals and a worker’s strike looms, Margaret finds herself on both sides of the issue . . . and unsure which way to turn.

It’s been so long — too long — since I dove into a good classic. Knowing next to nothing about North and South worked in my favor during the weeks I spent with this book, and I enjoyed the challenge of deciphering the language and piecing together a portrait of Gaskell’s brooding characters. The mystery surrounding Margaret’s long-lost brother, Frederick, and a supposed mutiny in which he was a key player added a great deal of suspense to the plot. As the threads began to unravel, I was completely sucked in.

Though tragedy after tragedy cast a melancholy pall over the work, it was hard to deny the attraction between Thornton and Margaret. Their tête-à-têtes regarding business and philosophy were interesting, if not sparkling with the wit and humor of other British writers like Jane Austen. So many knowledgeable people have weighed in on the Gaskell vs. Austen debate, comparing and contrasting the authors, and I won’t pretend to have anything intelligent to add to the conversation . . . especially after reading just one of Gaskell’s works. Suffice it to say that I definitely did and could see similarities between the authors, though I have to hand Austen the blue ribbon for creating a more likable, frustrating and beguiling pair in Darcy and Elizabeth Bennet.

That’s not to say I didn’t like Margaret and Thornton — because I totally did. When Thornton professes a few things and Margaret has a few things to say back (sorry for being vague . . . just trying to avoid spoilers!), I wanted to pinch her haughty little face. Margaret is strong and capable, intelligent and keen, but she’s utterly blind to matters of the heart. That made her especially annoying as Thornton is basically awesome and all but throwing himself at her, albeit in a very Victorian way, and Margaret is too busy screwing things up with her brother and endlessly worrying to notice.

But oh, the push and pull! The tension! The will-they-or-won’t-they! It got me in the end, friends. It always does. Though I agree with others (including Trish) that the ending feels a bit abrupt, especially in light of all we had to endure to get there, I kind of liked the simplicity of it. The inevitable quality of giving in to one’s emotions. The sense of relief when we lay down our swords and just . . . let it be. And the humorous bit at the end? The sparring? I loved it.

North and South was interesting, educational, emotional and atmospheric. Though it took me a little while to get used to the language and invested in the story, I did — and really enjoyed chatting with other readers throughout the readalong. I doubt I would have gotten around to this book without Heather and Andi’s encouragement, so three cheers for book blogging!

And um, yes — I’ve already purchased the BBC mini-series “North and South” on DVD for my viewing pleasure. I’ve seen enough “RICHARD ARMITAGE OMG! ASDFG@ERY72!!!!” sentiments to convince me that 2004 rendition is a must-watch, so everyone look out. . . I’ll likely have a new literary crush in no time!



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Book review: ‘The World We Found’ by Thrity Umrigar

Four best friends came of age at a tumultuous time in India. Companions since college in the 1970s, Armaiti, Kavita, Laleh and Nishta have all chosen different paths. While Laleh married Adish, her handsome boyfriend known affectionately as “Mr. Fix It,” Nishta defied her family’s wishes to wed Iqbal, a Muslim who once scorned organized faith. Kavita has chosen to keep her private life shrouded in mystery, even from her closest friends, while Armaiti has fled India’s internal struggles to seek refuge in America.

In the intervening years since they first fought oppression in Mumbai, the four women have loved and lost, had children, made careers, formed new dreams. Once like family, the world seems to have conspired to keep them apart. But when Armaiti receives life-changing news, she must find the friends who once seemed as close as her own skin — and bring them all together one last time.

Thrity Umrigar’s The World We Found is a lovely, lyrical examination of friendship and loss in a changing world. Umrigar’s central figures — the four women and their respective significant others — felt as real as flesh-and-blood neighbors. Umrigar does a remarkable job of drawing readers into their lives — some tattered and threadbare; others rich and full — and endearing them to us. It was easy to see the bonds forged between the women when they were at their most impressionable, and it’s hard not to envy their closeness.

Of the four characters, I most admired Laleh — a woman known for her spunk and ingenuity. Not one to act quiet or demure, Laleh continuously surprised me with the lengths she would go to for her friends — especially Nishta, who’d gotten herself into quite the situation with Iqbal. Knowing little of Indian culture (though I’m working on that), Umrigar discusses the ins and outs of Mumbai society with ease — and her descriptions of the Muslim and Hindu communities was easily digestible without getting boring. As the role of the 1993 riots in Mumbai (the same ones portrayed in an early “Slumdog Millionaire” scene) began to take center stage, I found myself Googling events to get on the same page as the characters. And what I found was, predictably, pretty horrifying.

But this isn’t a dark story. For as grim as life can seem, the loyalty Kavita, Laleh, Armaiti and Nishta feel to one another was inspiring. And the story itself? Well, it was rather suspenseful. As Armaiti’s illness becomes serious, the women are on borrowed time — and if they’re all to arrive safely in the U.S., they have to move fast. Really fast. Nishta’s situation doesn’t lend itself to speed, and my heart was pounding as the women concoct their plot. I found myself holding my breath in the story’s final pages.

My one complaint would revolve around The World We Found’s abrupt ending. After spending hundreds of pages trying to reconnect the women, I was a little disappointed with how it concluded. But I also felt that, as a reader, their friendship was pretty sacred — and maybe it wouldn’t be right to have me sitting off to the side, witnessing their pain and love and devotion. Maybe it was best I just bowed out, retreating with a sad smile on my face. Maybe that’s what Umrigar wants.

Literary fiction lovers will rejoice in Umrigar’s lovely language and characterization. Her deft handling of topics as diverse as homosexuality, religious fanaticism, parenthood, racial inequality and sexism made for a read that was both thought-provoking and engrossing. The World We Found was compelling enough for me to finish in a weekend — and I would easily recommend it. I’m looking forward to delving into Umrigar’s backlist next.


4 out of 5!

ISBN: 0061938351 ♥ GoodreadsLibraryThingAmazonAuthor Website
Review copy provided by TLC Book Tours in exchange for my honest review


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Book review: ‘Super Sad True Love Story’ by Gary Shteyngart

Okay — I’m not even going to pretend like I understood what-all was going on here.


Lenny Abramov has issues. Fresh from a stint in Rome in the not-so-distant future, his attempt to re-enter the U.S. is met with suspicion and derision — especially as he finds America a changed place from when he left. No longer a super power, his homeland is under China’s thumb. The American dollar is so devalued it basically ceases to exist. Riots are exploding across the country, reducing the once-great nation to a disaster zone, and everyone exists in a virtual reality through iPhone-like devices that might as well be surgically attached to their hands. Oh, and they’re half naked while doing it — sex is as accessible as Coca Cola on every street corner in America.

Basically, things suck.

The only bright spot in 39-year-old Lenny’s failing existence is Eunice Park, a nubile first-generation American (like Lenny!) who manages to put up with him long enough to gain free shelter at his New York City apartment. Moderately grossed out by Lenny’s age, poor dental care and unfortunate balding pattern, Eunice sticks around long enough to lap up his obsessive care for her as the country goes to pot. And Lenny has to decide where and how to weather the storm . . .


Gary Shteyngart’s Super Sad True Love Story is the weirdest book I’ve read in ages. Alternating between Lenny’s diary entries and transcripts of Eunice’s online conversations with her sister, mother and best friend, the story depicts a frighteningly weakened America. And honestly, it stressed me out.

Look, I can get down with a good dystopian read. I enjoy thinking about how society will evolve in years to come and whether the world will someday be one I’d recognize. What’s creepy about Shteyngart’s almost-too-cool-for-school rendition of our homeland is that it’s . . . well, realistic. The nationwide obsession with “apparati,” the higher-tech version of a smartphone, is eerily familiar. Our dependence on China’s credit to bail us out of endless financial crises? The doing-away of separate political parties, leaving us with one scary and irresponsible “bipartisan” form of leadership? Skimpy garments like onion-skin jeans that leave nothing to the imagination?

We can see it all, of course.

I listened to Super Sad True Love Story on audio, and maybe that was a bad call. It seemed like a frightening radio broadcast, coating the interior of my car with wails akin to, “The world as you know it is ending!” Given I’m high-strung on a good day, Shteyngart’s novel — occasionally funny, usually creepy — left me with the sour, metallic taste of bad fortune in my mouth. It wasn’t hopeful or uplifting (not that I’d have expected that — you know, given the title). And though it’s just fiction, it’s not a stretch to imagine some of the more disturbing moments appearing as headlines on tomorrow’s news. (If newspapers exist. Which they probably won’t. [If I had a nickel for every time someone said that to me, a newspaper columnist . . .])

But beyond all the dystopian elements, we have the titular love story: presumably the one between Lenny and Eunice. If you can call it that. Eunice is young, shallow, sarcastic and hurtful, and Lenny is desperate, eccentric and emotionally stunted. Their union is obviously toxic, but Lenny is so physically attracted to lithe Eunice he can’t help himself. No matter that she barely lets him touch her, and when he does? It seems born of pity and boredom. Shteyngart’s intimate scenes are so factual and awkward.

Lenny, who works in the business of helping people “live forever,” is constantly grappling with a between-two-worlds mentality; his parents are hardened Russian immigrants who want to see their beloved Lenny settle down with a nice Jewish girl. When he shows up with Eunice, a far cry from the woman they’d imagined for a daughter-in-law, things don’t go as planned. And Lenny begins to understand that what he feels for Eunice, real though he feels it must be, isn’t quite real enough.

That’s a phrase that really jumped out at me, especially in the latter half of the novel: Lenny declaring that life — its experiences; its triumphs; its pains — is “real enough.” Not real as in an authentic experience, but real enough. Sort of a caricature of real life. What a sad state of affairs for us, a people increasingly dependent on devices to feel like we’re “living.”

Again: depressing.

Fans of contemporary fiction, dystopian stories, love stories gone awry and novels analyzing American society will find plenty to discuss, snort at and ponder. Though it ultimately wasn’t a story I could say I enjoyed, I did find the book interesting and listened to the end. Shteyngart’s brand of dark humor can be appealing, though it ultimately left me feeling cold and uncomfortable. Yes, it was “super sad.”


3 out of 5!

ISBN: 0812977866 ♥ GoodreadsLibraryThingAmazonAuthor Website
Audio copy borrowed from my local library


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