Tag Archives: dystopian fiction

Book review: ‘Super Sad True Love Story’ by Gary Shteyngart

Okay — I’m not even going to pretend like I understood what-all was going on here.


Lenny Abramov has issues. Fresh from a stint in Rome in the not-so-distant future, his attempt to re-enter the U.S. is met with suspicion and derision — especially as he finds America a changed place from when he left. No longer a super power, his homeland is under China’s thumb. The American dollar is so devalued it basically ceases to exist. Riots are exploding across the country, reducing the once-great nation to a disaster zone, and everyone exists in a virtual reality through iPhone-like devices that might as well be surgically attached to their hands. Oh, and they’re half naked while doing it — sex is as accessible as Coca Cola on every street corner in America.

Basically, things suck.

The only bright spot in 39-year-old Lenny’s failing existence is Eunice Park, a nubile first-generation American (like Lenny!) who manages to put up with him long enough to gain free shelter at his New York City apartment. Moderately grossed out by Lenny’s age, poor dental care and unfortunate balding pattern, Eunice sticks around long enough to lap up his obsessive care for her as the country goes to pot. And Lenny has to decide where and how to weather the storm . . .


Gary Shteyngart’s Super Sad True Love Story is the weirdest book I’ve read in ages. Alternating between Lenny’s diary entries and transcripts of Eunice’s online conversations with her sister, mother and best friend, the story depicts a frighteningly weakened America. And honestly, it stressed me out.

Look, I can get down with a good dystopian read. I enjoy thinking about how society will evolve in years to come and whether the world will someday be one I’d recognize. What’s creepy about Shteyngart’s almost-too-cool-for-school rendition of our homeland is that it’s . . . well, realistic. The nationwide obsession with “apparati,” the higher-tech version of a smartphone, is eerily familiar. Our dependence on China’s credit to bail us out of endless financial crises? The doing-away of separate political parties, leaving us with one scary and irresponsible “bipartisan” form of leadership? Skimpy garments like onion-skin jeans that leave nothing to the imagination?

We can see it all, of course.

I listened to Super Sad True Love Story on audio, and maybe that was a bad call. It seemed like a frightening radio broadcast, coating the interior of my car with wails akin to, “The world as you know it is ending!” Given I’m high-strung on a good day, Shteyngart’s novel — occasionally funny, usually creepy — left me with the sour, metallic taste of bad fortune in my mouth. It wasn’t hopeful or uplifting (not that I’d have expected that — you know, given the title). And though it’s just fiction, it’s not a stretch to imagine some of the more disturbing moments appearing as headlines on tomorrow’s news. (If newspapers exist. Which they probably won’t. [If I had a nickel for every time someone said that to me, a newspaper columnist . . .])

But beyond all the dystopian elements, we have the titular love story: presumably the one between Lenny and Eunice. If you can call it that. Eunice is young, shallow, sarcastic and hurtful, and Lenny is desperate, eccentric and emotionally stunted. Their union is obviously toxic, but Lenny is so physically attracted to lithe Eunice he can’t help himself. No matter that she barely lets him touch her, and when he does? It seems born of pity and boredom. Shteyngart’s intimate scenes are so factual and awkward.

Lenny, who works in the business of helping people “live forever,” is constantly grappling with a between-two-worlds mentality; his parents are hardened Russian immigrants who want to see their beloved Lenny settle down with a nice Jewish girl. When he shows up with Eunice, a far cry from the woman they’d imagined for a daughter-in-law, things don’t go as planned. And Lenny begins to understand that what he feels for Eunice, real though he feels it must be, isn’t quite real enough.

That’s a phrase that really jumped out at me, especially in the latter half of the novel: Lenny declaring that life — its experiences; its triumphs; its pains — is “real enough.” Not real as in an authentic experience, but real enough. Sort of a caricature of real life. What a sad state of affairs for us, a people increasingly dependent on devices to feel like we’re “living.”

Again: depressing.

Fans of contemporary fiction, dystopian stories, love stories gone awry and novels analyzing American society will find plenty to discuss, snort at and ponder. Though it ultimately wasn’t a story I could say I enjoyed, I did find the book interesting and listened to the end. Shteyngart’s brand of dark humor can be appealing, though it ultimately left me feeling cold and uncomfortable. Yes, it was “super sad.”


3 out of 5!

ISBN: 0812977866 ♥ GoodreadsLibraryThingAmazonAuthor Website
Audio copy borrowed from my local library


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Book review: ‘Cinder’ by Marissa Meyer

You can’t bump around the reading world lately without seeing mention of Marissa Meyer’s Cinder, a new dystopian novel placing a pot of cyborgs, magical powers and evil stepmothers on simmer. If you’re a fan of “Cinderella,” that most classic of all fairytales (and Disney movies!), you’ll be intrigued by this one. But I’m not sure it lived up to the hype.

Cinder, a talented mechanic, toddles along the streets of New Beijing, China, trying to attract as little attention as possible. Her stepmother favors Cinder’s two sisters, Peony and Pearl, and pilfers the money Cinder makes working in a street market to enhance their lavish lifestyle. Relying on her own wits and savvy after her stepfather’s death, Cinder has no recollection of her mysterious past — or even how she arrived in New Beijing. But she’s about to find out.

Handsome Prince Kai, the future Chinese emperor, arrives at Cinder’s booth needing help with a royal android. Now on the prince’s radar, Cinder works to help repair the damage as a deadly plague begins to sweep Earth — and their city. When Peony falls ill, Cinder is blamed for her exposure to the sickness
. . . and must work quickly to save her sister’s life. What happens next changes the course of everything.

Cinder has a little bit of everything beneath its intriguing cover: romance; family dynamics; threat of annihilation; magical Lunar people. There’s all this talk of who Cinder really is and where she comes from and why she’s so special, so different from everyone else. There’s Prince Kai, who we’re told is all hottie hot (a rebellious Prince Harry, if you will). There’s all this talk of impending doom and disaster, and yet . . . I didn’t feel it.

I don’t know. I feel guilty. But I wasn’t crazy about this one.

First, the good: Cinder is the bold, stereotype-busting heroine we all love to see in YA literature. She’s not the demure young lady tucked away in a corner with her needlepoint. This chick is a mechanic, for goodness’ sake; she is hardcore. She’s up to her elbows in grease all day, fixing things that need fixing and building her positive reputation. Prince Kai comes to her because he hears she’s “the best” at what she does, and that’s pretty bad ass for a teenager.

But. But. I never really felt emotionally connected to Cinder. I felt for her and could sympathize with her plight, but as far as the twists and turns surrounding the discovery of her identity? I just wasn’t there. At many points I knew I should feel shocked or bamboozled, but I just never did. The whole thing was very tepid. I liked that Meyer changed up the fairytale, actually making Cinder very close to one of her “evil” stepsisters, but that wasn’t enough for me. I never felt engaged with the characters.

I just couldn’t get down with the Lunar people, either. Evil Queen Levana was a caricature, what with her wanting to take over the planet and all. Magical people living on the moon and threatening to screw up everything we’ve got going on here on Earth? Okay . . . I mean, I thought I could go with that. I started Cinder knowing it was a fairytale retelling, but the story never absorbed me enough to suspend my disbelief.

But you know what? I’m completely in the minority here. I’ve read positive review after positive review of Cinder, and all these fine and fashionable reviewers can’t be wrong. If you like dystopian fiction, fairytales turned on their heads or get down with fantasy, Meyer’s unique debut might just be for you.


3 out of 5!

ISBN: 031264189 ♥ GoodreadsLibraryThingAmazonAuthor Website
Personal audio book won in a giveaway from Capricious Reader


My thoughts on the narration: After getting my proverbial feet wet with audio books, I’m beginning to understand just how important a good narrator is to a production. Bad ones can completely ruin an otherwise great story for you, and I’m becoming much more discerning in the books I choose. That being said, Cinder’s narrator, Rebecca Soler, did a fine job voicing the titular character. As other reviewers have stated, it’s strange that Cinder — a Chinese character — would have an American accent, and I didn’t get much cultural flavor from the narration. But whatevs.

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Book review: ‘Glow’ by Amy Kathleen Ryan

For Waverly Marshall and hundreds of other children and teens, life aboard the space vessel Empyrean is their entire world. Their days are spent assisting their parents with agriculture and attending school, learning about Earth and what life was like upon that mysterious planet of their parents’ birth. Fresh from a proposal from her boyfriend and captain-in-training, Kieran Alden, Waverly feels mostly content.

A few decades removed from the devastating events that made life on their home planet impossible, the Empyrean and a sister ship are bound for New Earth — a distant planet destined to be settled by the “chosen” aboard the Empyrean and New Horizon, a sister ship. While the Empyrean is a secular vessel, the New Horizon is a religious ship filled with those who believe God is giving them a chance to originate new life. Believing they are doing His will, the residents of the New Horizon are optimistic about spreading God’s love to an entirely new generation.

On their journey to New Earth, the ships have rarely made contact — until the day the New Horizon sidles alongside the Empyrean, disrupting everything about life as Waverly once knew it. A series of attacks change everything about life in deep space, and Waverly is left to spearhead a movement to keep everyone safe and reassemble the pieces of their tattered existence. If that can ever be done again.

Amy Kathleen Ryan’s Glow is a fast-paced, energetic and stomach-plummeting ride through the galaxy that dragged me into its orbit and refused to let me go. I was finished with this book before I even looked up, gobbling the entire story before I even realized I was reaching the end.

Glow, the first in a new series, is being likened to The Hunger Games — a novel I read years ago and loved. While I don’t think Glow has the emotional punch of Suzanne Collins’ stellar series, I can definitely see the similarities in terms of pacing and plot. Ryan drops us right into the action in Glow, successfully creating an entire universe for us without any of the boring world-building I sometimes associate with dystopian novels. We’re given enough puzzle pieces to understand what’s happening here, but not so much that nothing is cloaked in mystery.

In fact, mystery shrouds everything in Glow, keeping readers antsy and on edge. We don’t know who to trust or despise, who to love or fear. The enigmatic but dangerous leader of the New Horizon, Anne Mather, is a character that is both reviled and pitied. At various points in the novel, I struggled with whether to trust or hate her — though Waverly never faced that uncertainty. Our lead is steel-spined and, like Katniss Everdeen, a young woman called upon to shoulder so much burden at such a young age. And, despite everything, she handles it well.

But Waverly lacked the dimension of Katniss — or much dimension at all. I respected her and felt for her, but I never felt like I was really inside her head. How did she really feel about Kieran, for instance? His proposal within the first few pages of the book should have been a life-altering moment, but I didn’t feel the emotional weight of the question. As Waverly became immersed in the battles waging between the Empyrean and its sister ship, I knew that she was desperate to be reunited with him . . . but felt like I had little evidence of that. It was lots of telling and not enough showing. I didn’t know if she actually loved him or just felt safe with him, especially after losing her father at a young age. But as this is just a first book, I’m imagining that will be explored in detail down the road.

My overall feelings for Glow are very positive, however. Even though I wasn’t as close to Waverly (or Kieran, or Seth) as I would have liked, I found this book impossible to put down! There are plenty of unanswered questions in Glow and opportunities for back stories to be explored, which makes me eager for a publication date — but I can’t find one. And that makes me itchy.

Fans of dystopian reads and young adult fiction will find a fascinating, quick read in Amy Kathleen Ryan’s first novel in the Sky Chasers series, and the religious overtones of the book were very thought-provoking. I won’t go off on a tangent regular the secular versus religious vessels and how eventually everyone seems to switch roles, but that’s definitely a major theme of the book. Read it and see where you fall.


3.5 out of 5!

ISBN: 0312590563 ♥ GoodreadsLibraryThingAmazonAuthor Website
Review copy provided by Amazon Vine

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Book review: ‘America Pacifica’ by Anna North

Born on a tropical island in the middle of the Pacific, 18-year-old Darcy Pern has never known life beyond America Pacifica. She’s heard about an ice age that overtook most of the United States. She knows her mother, Sarah, was one of the first Americans to arrive on the island, which is ruled by a mysterious man named Tyson. And she knows that Sarah, ever dependable, would never abandon her. Would never not come home to their damp, private apartment.

Until she disappears.

Left to her own (weak) devices, Darcy must work to find her mother amidst the decaying world she calls home — and in the process, unravel the frightening mysteries surrounding America Pacifica’s founding . . . and a plan that will change the Perns’ lives forever.

Anna North’s America Pacifica is a grim, imaginative but ultimately sad novel set in a dystopian world in which the United States has been reduced to an island teeming with filth, waste and suffering. The past — the happy American land of plenty we know — is nothing but a tattered memory in the minds of the elderly. Though Darcy is resourceful, she’s decimated after her mother’s disappearance — and I could feel the panic, bewilderment and fear seeping through the pages.

In fact, that’s how I felt about this one: panicky, bewildered and fearful.

The bleak tone of the novel never picks up, never gets better, never changes pitch. Everything is gritty, grisly and grim. The warm, tropical setting of the island is in sharp contrast to the mountainous icebergs we’re told cover most of the U.S. these days, but even the heat can’t save its inhabitants from misery. Poverty is the norm; food is scarce, disgusting and strange. When America Pacifica’s residents aren’t getting high on solvent, a concoction made from seawater to power the island, they’re hurting one another or desperately trying not to be hurt.

It’s a bleak place.

But you know, this book was compelling. It tied my stomach up in knots and left me feeling achy and tired and I didn’t want to read it before bed — that’s for sure — but North’s imagery, world-building and command of tone is to be admired. Her prose is beautiful. Through her vivid and often disturbing descriptions, I could taste the briny air and feel the itchy fabric of Seafiber shirts. The omnipresent danger of Little Los Angeles encompassed me like a cloak. A sense of foreboding — from start to finish — never left me in America Pacifica, and I’d say that’s an accomplishment.

But at the end of the day, did I like this book? No, I don’t think I did. It was too seedy — too bothersome, too sad — for me to enjoy. Though I read quickly and worried for Darcy, I didn’t find myself emotionally invested in the plot. And the ending? Well, many have discussed its ambiguous nature . . . but as I was discussing with Meg, I’m starting to see it as concrete. Final. Not all together unexpected, but most definitely depressing.

Readers interested in dystopian fiction might be intrigued by North’s interpretation of an America gone cold and rebuilt in a tropical locale, but I struggled to stick with a book that felt like a slog because of the bleak subject matter. North’s lovely writing kept me reading and interested in her fast-paced story, but the novel itself was disheartening. Be prepared for a vivid — but grisly — read.


3 out of 5!

ISBN: 0316105120 ♥ GoodreadsLibraryThingAmazonAuthor Website
Review copy provided by Amazon Vine

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Book review: ‘The Dead And The Gone’ by Susan Beth Pfeffer

And so the nightmares continue.

After an asteroid collides with the moon, pushing it dangerously closer to Earth, all hell breaks loose — literally. Tsunamis ravage coastlines, killing many instantly. Volcanoes erupt globally, sending plumes of ash so thick into the air that the sun’s rays are completely blocked. Crops die. Water is contaminated. Illness spreads rapidly, crippling those already starving and sickened.

Sounds awesome, right?

Um. Okay, so definitely not awesome. But there’s something about Susan Beth Pfeffer’s novels that keeps me frantically turning the pages, even when I know I’m going to be up half the night quaking with nightmares.

The Dead And The Gone was no exception. After finishing Life As We Knew It last fall, I was absolutely sure I’d have to read this parallel story chroncling life for Alex Morales, but I was simply not up to it. Pfeffer’s first novel in a three-part series shook me to my very core, basically ruining me for other books. It was unbelievable. Gripping, terrifying, heartbreaking — and realistic. Through Miranda’s eyes, her small Pennsylvania town was transformed from a quaint locale into a minefield of misery. And I wasn’t ready to return to that place just yet. But when Steph Su agreed to do a read-along for the story with me, I pushed aside my fears and dove in.

In this, the second of Pfeffer’s books detailing the moon disaster, we leave Pennsylvania for nearby New York City — but the worlds couldn’t be any more different. At 17, Alex is the second-eldest son in a working-class Latino family, left to care for his two younger sisters Bri and Julie after his parents fail to come home in the early days of the tragedy. Unsure of where Mr. and Mrs. Morales could be and desperate for information, Alex, Bri and Julie must stay together in a dangerous city slowly seeping closer and closer to ruin.

It’s impossible for me to discuss The Dead And The Gone without comparing it to Life As We Knew It, though that’s not entirely fair. Just starting the second novel, the differences were glaring: particularly since this book is told in third person. In LAWKI, Miranda is our narrator — and that book is her very diary, sharing the day-to-day dramas and strife inherent with the scary, deteriorating conditions in which they lived. Because we’re never inside of Alex’s head, Pfeffer really doesn’t tell us much of what he’s feeling. And that’s what’s important about these books.

What makes the series so successful, to me, is the horrifying notion that what’s happening here could actually happen. Do we have any indication that our moon could be knocked out of orbit and pushed dangerously close to our world? No, I guess not. But, um, it could. And what makes the books un-put-down-able is the fear coursing through our veins, the literal shot of adrenaline pushing me onward to finish and find out what happened. And if I possibly could survive with my own meager stockpile of rations.

But I didn’t feel that here.

The Dead And The Gone was scary, yes, and far more grotesque than its predecessor. Some of the images Pfeffer describes won’t easily leave my brain, much more so than in LAWKI. The first novel was much more psychologically terrifying because I was so invested in Miranda, her brothers and her mother. Here? Alex proved himself to be a steadfast sibling and easily took over the responsibilities of caring for his younger sisters, but I just never felt what he felt. Things were happening around and to him and while I was completely invested in the events, I just never felt like I was sitting in a cramped room alongside him.

Religion played a much more prominent role in this book, too. The Morales siblings attend religious schools and rely heavily on their faith to guide them through the uncertainty in the wake of their parents’ disappearance. Through everything that befalls them, Bri never wavers in her belief that God would rescue and assist them — and bring their mother and father home. Normally I shy away from work which centers around religion, but I feel that Catholic faith was essential to the storyline and was done well.

Though I wasn’t as emotionally connected to this novel as I was to Life As We Knew It, The Dead And The Gone was still a fascinating and goosebump-creating to return to the dystopian world of Pfeffer’s creation. I’m absolutely dying to find out what happens in the third book in the series, This World We Live In (released April 1), and will look forward to reading it long into the night — just with all the lights on.


4 out of 5!

ISBN: 0547258550 ♥ Purchase from AmazonAuthor Website
Copy borrowed from my local library

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