Tag Archives: dystopia

Book review: ‘America Pacifica’ by Anna North

Born on a tropical island in the middle of the Pacific, 18-year-old Darcy Pern has never known life beyond America Pacifica. She’s heard about an ice age that overtook most of the United States. She knows her mother, Sarah, was one of the first Americans to arrive on the island, which is ruled by a mysterious man named Tyson. And she knows that Sarah, ever dependable, would never abandon her. Would never not come home to their damp, private apartment.

Until she disappears.

Left to her own (weak) devices, Darcy must work to find her mother amidst the decaying world she calls home — and in the process, unravel the frightening mysteries surrounding America Pacifica’s founding . . . and a plan that will change the Perns’ lives forever.

Anna North’s America Pacifica is a grim, imaginative but ultimately sad novel set in a dystopian world in which the United States has been reduced to an island teeming with filth, waste and suffering. The past — the happy American land of plenty we know — is nothing but a tattered memory in the minds of the elderly. Though Darcy is resourceful, she’s decimated after her mother’s disappearance — and I could feel the panic, bewilderment and fear seeping through the pages.

In fact, that’s how I felt about this one: panicky, bewildered and fearful.

The bleak tone of the novel never picks up, never gets better, never changes pitch. Everything is gritty, grisly and grim. The warm, tropical setting of the island is in sharp contrast to the mountainous icebergs we’re told cover most of the U.S. these days, but even the heat can’t save its inhabitants from misery. Poverty is the norm; food is scarce, disgusting and strange. When America Pacifica’s residents aren’t getting high on solvent, a concoction made from seawater to power the island, they’re hurting one another or desperately trying not to be hurt.

It’s a bleak place.

But you know, this book was compelling. It tied my stomach up in knots and left me feeling achy and tired and I didn’t want to read it before bed — that’s for sure — but North’s imagery, world-building and command of tone is to be admired. Her prose is beautiful. Through her vivid and often disturbing descriptions, I could taste the briny air and feel the itchy fabric of Seafiber shirts. The omnipresent danger of Little Los Angeles encompassed me like a cloak. A sense of foreboding — from start to finish — never left me in America Pacifica, and I’d say that’s an accomplishment.

But at the end of the day, did I like this book? No, I don’t think I did. It was too seedy — too bothersome, too sad — for me to enjoy. Though I read quickly and worried for Darcy, I didn’t find myself emotionally invested in the plot. And the ending? Well, many have discussed its ambiguous nature . . . but as I was discussing with Meg, I’m starting to see it as concrete. Final. Not all together unexpected, but most definitely depressing.

Readers interested in dystopian fiction might be intrigued by North’s interpretation of an America gone cold and rebuilt in a tropical locale, but I struggled to stick with a book that felt like a slog because of the bleak subject matter. North’s lovely writing kept me reading and interested in her fast-paced story, but the novel itself was disheartening. Be prepared for a vivid — but grisly — read.


3 out of 5!

ISBN: 0316105120 ♥ GoodreadsLibraryThingAmazonAuthor Website
Review copy provided by Amazon Vine

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Book review: ‘Bumped’ by Megan McCafferty

I’m going to be straight with you: when it comes to Megan McCafferty, I am not an unbiased reviewer.

When a copy of her latest novel — and first departure from the beloved Jessica Darling series — arrived in my mailbox last fall, you could probably hear me hollering from here to California. Not to go all breaking-the-fourth-wall-and-getting-fangirly on you guys, but when I started write meg! years ago, I had absolutely no idea that I’d someday find myself in a position to receive a book like this.

And I say that not to brag. Merely as a frame of reference for — ahem — my aforementioned bias.

All of that being said, I’m never going to lie to you. When I began McCafferty’s Bumped, the first in a new young adult series, I was . . . confused. And for about 100 pages, pretty unsure.

Unsure of the story. Unsure of where this all was going. Unsure of whether I actually . . . liked this book.

It’s true. My initial reaction? Lukewarm. I wasn’t feeling a connection with the characters or storyline, which seemed outside my comfort zone and realm of comprehension. I’ve read a few dystopian books in my day, sure, and never had much trouble grasping what was happening. But this? Well. This was proving troublesome.

Here’s the rundown: in McCafferty’s less-than-ideal future, a virus has run rampant and rendered anyone over the age of eighteen infertile — both men and women. Considering no one is cheering for the demise of the human race, teenagers — the only people still able to conceive — have become hot commodities. The government has had no choice but to legalize “transactions” between prospective parents and the teens they contract to give them a child.

And you know what that means? Sexy sex sex. All the time. Everywhere. Encouraged — no, demanded – of high school students, young women and men who are now being represented by, um, “talent” agents garnering the best deals possible for the product of a union between desirable teens. Every couple wants the perfect “pregg,” of course, and those with the funds will stop at nothing to get it.

Enter Melody Mayflower, considered by many to be the perfect candidate for “bumping.” Smart, beautiful and independent, Melody was the first in her high school to “go pro” and enter a contract to conceive for money. After signing with a wealthy couple looking for the perfect offspring, Melody’s adoptive parents encourage her to keep her virginity until a suitable suitor comes along to contribute his part of the deal. And though she’d have a willing candidate in her best friend, Zen, his desirable biracial background isn’t enough to save him from his main genetic issue: he’s short.

As Melody is waiting and debating, she gets a surprise: the arrival of her identical twin, Harmony, a young woman raised in a religious order. In a future where premarital sex is glamorized and seen as a responsibility of teens, residents of Goodside shun this sinful lifestyle, marry young and reproduce within the safe confines of their own organization. Harmony hasn’t questioned the world in which she was raised until she goes in search of her twin, hoping to bring Melody out of the darkness of immorality and into the good, clean world of Goodside.

The world has other plans, of course.

McCafferty’s novel, like many others, left me at a loss for words. For all my early inability to process Bumped’s unique brand of slang and unusual circumstances, once I got the story straight and grasped the whole “pregging” situation, I raced through this one like my pants were on fire. As always, McCafferty’s wit and humor shine through in her sophisticated, sassy heroines, and I’m pleased to say that plenty of Jessica Darling’s snark and spitfire is visible in our main twin, Melody.

The world of Bumped is cleverly drawn and realistic, and what I loved best about the book was the scary way in which I could really see this happening. As a sensible-minded woman living in 2011, I can’t say that parts of the story didn’t horrify me — but I think that was the point. With songs encouraging teens to “do it,” fake “Fun Bumps” designed to show girls how their own pregnant bellies will swell and all the talk of being “fertilicious,” any adult would read this book and think, “Um, really?”

But yes. Really. It’s slightly deranged and creepy, sure, but also somehow . . . plausible. And fascinating. And addictive. That’s what made it work.

There’s so much to take in with Bumped: religious implications; moral implications; government manipulation; the disturbing way in which teen girls are used for their wombs — and not much else. But McCafferty packs it all in with humor and wit, and I was left breathless on several occasions waiting to see how the stories — and love stories — would play out.

Of course, I can’t talk about my favorite author without talking about my most favorite of her creations: Marcus Flutie. The dashing, rebellious and unbelievably hawt hero of her Jessica Darling series, Marcus has pretty much ruined me for all other literary love interests. That being said, Zen Chen-Chavez — Melody’s best friend and purveyor of giving young women “everythingbut” — is pretty swoonworthy. I love his dedication to his friends and the sweet, sensitive side we see when no one else is looking.

Is he Marcus, with his red hair, Barry Manilow obsession, swagger and sensuality? Nope. But that would have been a tall order to fill — even by the author herself. And I certainly don’t hold that against Bumped.

Was this review long enough? I think it was long enough. In summation: loved it.

Grab your copy on April 26.


4.5 out of 5!

ISBN: 0545230500 ♥ GoodreadsLibraryThingAmazonAuthor Website
Review copy provided by author in exchange for my honest review

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Book talk: ‘Mockingjay’ by Suzanne Collins

There are many things you probably need right now.

A sandwich, maybe; you skipped breakfast again and wow, does that make you ravenous come lunchtime. Maybe a nice nap, too, after eating that big meal. And I’d wager you could really do with an extra thousand bucks to put towards student loans, a mortgage or your addictive book-buying habit.

What you probably don’t need right now? Another review of Suzanne Collins’ Mockingjay.

But before you mark this post as “read” in Google Reader or immediately skip past it to look at photos of cupcakes and baby cows, I’ll say this: I’m not going to review Mockingjay. Not the way I typically review books, anyway, with a good ol’ summary and my extensive thoughts on a novel.

Because honestly? I don’t really have extensive thoughts on this novel — and definitely not those already covered extensively by far more intelligent, comprehensive and devoted fans of the series than yours truly.

So here’s how I felt about it. After months of hearing about some crazy young adult novel called The Hunger Games, I finally broke down and snagged a copy off BookMooch. I read it — devoured it, really — and was in loooove. Out came Catching Fire and, you know, that one was pretty great, too. Action, adventure, a weird love triangle — I was hooked.

And then we have Mockingjay, the third and final book in Collins’ best-selling series. And while I liked the book, there were many things about it that just . . . made me feel very ambivalent. And it took me almost two weeks to finish it, which is crazy to me. Especially since I put aside everything else I was reading when it was released in August.

Spoilers below.

Continue reading

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Book review: ‘The Dead And The Gone’ by Susan Beth Pfeffer

And so the nightmares continue.

After an asteroid collides with the moon, pushing it dangerously closer to Earth, all hell breaks loose — literally. Tsunamis ravage coastlines, killing many instantly. Volcanoes erupt globally, sending plumes of ash so thick into the air that the sun’s rays are completely blocked. Crops die. Water is contaminated. Illness spreads rapidly, crippling those already starving and sickened.

Sounds awesome, right?

Um. Okay, so definitely not awesome. But there’s something about Susan Beth Pfeffer’s novels that keeps me frantically turning the pages, even when I know I’m going to be up half the night quaking with nightmares.

The Dead And The Gone was no exception. After finishing Life As We Knew It last fall, I was absolutely sure I’d have to read this parallel story chroncling life for Alex Morales, but I was simply not up to it. Pfeffer’s first novel in a three-part series shook me to my very core, basically ruining me for other books. It was unbelievable. Gripping, terrifying, heartbreaking — and realistic. Through Miranda’s eyes, her small Pennsylvania town was transformed from a quaint locale into a minefield of misery. And I wasn’t ready to return to that place just yet. But when Steph Su agreed to do a read-along for the story with me, I pushed aside my fears and dove in.

In this, the second of Pfeffer’s books detailing the moon disaster, we leave Pennsylvania for nearby New York City — but the worlds couldn’t be any more different. At 17, Alex is the second-eldest son in a working-class Latino family, left to care for his two younger sisters Bri and Julie after his parents fail to come home in the early days of the tragedy. Unsure of where Mr. and Mrs. Morales could be and desperate for information, Alex, Bri and Julie must stay together in a dangerous city slowly seeping closer and closer to ruin.

It’s impossible for me to discuss The Dead And The Gone without comparing it to Life As We Knew It, though that’s not entirely fair. Just starting the second novel, the differences were glaring: particularly since this book is told in third person. In LAWKI, Miranda is our narrator — and that book is her very diary, sharing the day-to-day dramas and strife inherent with the scary, deteriorating conditions in which they lived. Because we’re never inside of Alex’s head, Pfeffer really doesn’t tell us much of what he’s feeling. And that’s what’s important about these books.

What makes the series so successful, to me, is the horrifying notion that what’s happening here could actually happen. Do we have any indication that our moon could be knocked out of orbit and pushed dangerously close to our world? No, I guess not. But, um, it could. And what makes the books un-put-down-able is the fear coursing through our veins, the literal shot of adrenaline pushing me onward to finish and find out what happened. And if I possibly could survive with my own meager stockpile of rations.

But I didn’t feel that here.

The Dead And The Gone was scary, yes, and far more grotesque than its predecessor. Some of the images Pfeffer describes won’t easily leave my brain, much more so than in LAWKI. The first novel was much more psychologically terrifying because I was so invested in Miranda, her brothers and her mother. Here? Alex proved himself to be a steadfast sibling and easily took over the responsibilities of caring for his younger sisters, but I just never felt what he felt. Things were happening around and to him and while I was completely invested in the events, I just never felt like I was sitting in a cramped room alongside him.

Religion played a much more prominent role in this book, too. The Morales siblings attend religious schools and rely heavily on their faith to guide them through the uncertainty in the wake of their parents’ disappearance. Through everything that befalls them, Bri never wavers in her belief that God would rescue and assist them — and bring their mother and father home. Normally I shy away from work which centers around religion, but I feel that Catholic faith was essential to the storyline and was done well.

Though I wasn’t as emotionally connected to this novel as I was to Life As We Knew It, The Dead And The Gone was still a fascinating and goosebump-creating to return to the dystopian world of Pfeffer’s creation. I’m absolutely dying to find out what happens in the third book in the series, This World We Live In (released April 1), and will look forward to reading it long into the night — just with all the lights on.


4 out of 5!

ISBN: 0547258550 ♥ Purchase from AmazonAuthor Website
Copy borrowed from my local library

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Book review: ‘In A Perfect World’ by Laura Kasischke

in_perfect_worldSo all these dystopian novels are beginning to get to me . . . after finishing Laura Kasischke’s haunting In A Perfect World, I had an irrational and overwhelming urge to stockpile canned goods, water and firewood — though I have no fireplace. What difference does that make, right? If a plague is spreading across the United States, you better believe I’ll build a firepit and bunker down. Or, you know, my dad will do it.

Kasischke’s work is the story of Jiselle Dorn, newly wedded to the gorgeous and charismatic pilot Captain Mark Dorn. At 32 and never married, Jiselle is completely wooed by Mark’s stylish courtship and eager to begin a life with him. Her marriage brings her to the Chicago suburb of St. Sophia, a quaint and cozy town where Mark lives with his three children. Camilla, Sara and Sam put on a happy face as Jiselle arrives but waste no time undermining her authority. Petulant Sara, the most unhappy of all, scribbles terrible things in her journal — which she conveniently leaves out for Jiselle to find.

And Mark is traveling all the time. Alone with the kids after she’s given up her job as a flight attendant, Jiselle struggles to find a place within her new family — and to identify, for the first time, as a mother. Her days drag on, filled with chores and reading and lounging on the cabin’s deck, which overlooks a deep ravine. And missing Mark, of course; her longing for him to return, to “save” her, is palpable.

Underscoring the family drama happening in In A Perfect World is a much greater threat: an influenza, called the Phoenix Flu, is spreading across the United States, infecting scores of Americans. Fearing the worst, the global community has turned away from us, sealing their borders and refusing to give us aid; a vaccine does not exist. After a well-known pop star dies of the Phoenix Flu, the threat of infection seems to be everywhere. Life continues for Jiselle and the kids in St. Sophia, but no one seems to be safe. Or to even know what “safe” is any longer.

At many times reminiscent of Susan Beth Pfeffer’s Life As We Knew It and its absolute apocalyptic feel, Kasischke’s work focuses on the aspect of survival and the growth of an unconventional family. While Pfeffer’s teenage narrator wrote in her diary about the daily tasks of attempting to survive in a world without power, heat, food and an alleviation of boredom, Kasischke’s book is much more emotional; less about the mechanics of a spreading flu and more about the effect of the flu on the psyche.

Starting the novel, I was pretty sure I was going to despise Jiselle. She seemed hopelessly naive, ignoring the cautions of her mother that Mark, while loving, was merely looking for a babysitter to tend to his children. As Mark’s presence becomes less and less a part of their daily lives, Jiselle’s transformation is absolute and apparent. For a woman who was single and childless just a year ago, she adapts quickly — and well.

Kasischke’s background in poetry is very evident; many of her turns of phrase stopped me dead in my tracks. She writes in gorgeous, lilting prose and her words, carefully chosen, seem to add an extra weight to everything happening in the country — and at home. One of my favorites:

One historian Jiselle heard interviewed on NPR said, in a voice so low it sounded like the source of gravity itself, that a return to traditions often preceded the complete collapse of a culture.

And, indeed, the culture seems to implode upon itself. Life In A Perfect World is anything but perfect, littered with fear, uncertainty, illness and grief. The novel, while beautiful, is disturbing — mostly because the “Phoenix Flu” seems, at times, oddly reminiscent of a certain illness that has many Americans currently stocking up on anti-bacterial hand gel and covering their faces with surgical masks. At many Sunday services, parishoners are discouraged from shaking hands; at work places, mandatory handwashing stations have been set up all over the buildings. And that’s happening now – in our own world. So reading about an avian flu that sweeps across the U.S., killing off scores of citizens? Yeah, not exactly uplifting reading.

But I have to say — I actually really liked this book. Kasischke’s interesting writing kept me enthralled and, as the kids and Jiselle come to rely more and more upon each other, I actually felt their bonds plucking at my heart strings. They’re not beyond redemption — nothing is. And while I don’t think the novel had quite the ultimately hopeful feel as Life As We Knew It, it didn’t leave me despondent, either.

Actually, after I turned the final page, I felt more than a little stunned. Some controversy surrounds the novel’s ending, I know, but I was pleased with how it turned out. Sometimes we have far more questions than answers — and sometimes, the resolution never does come. The book is just like life in that way — how we know it, and otherwise.

Lovers of dystopian fiction or those interested in apocalyptic tales while find plenty to “enjoy” (can you enjoy these stories, really?) here, and readers with a taste for family-based struggles and stories will be intrigued by the Dorn clan. Every character eventually won me over — including, and probably especially, Jiselle. A worthwhile but disturbing look at the breakdown of a culture . . . and the creation of a family.


4 out of 5!

ISBN: 0061766119 ♥ Purchase from AmazonAuthor Website


tlc_logo copy

Review copy provided by TLC Book Tours

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Book review: ‘Life As We Knew It’ by Susan Beth Pfeffer

life_as_we_knew_itAs if I wasn’t completely freaked out after reading this book, I had to come across THIS gem of a story while I innocently attempted to check my e-mail yesterday.

Really, world? We have to punch the moon? Have you not read Susan Beth Pfeffer’s Life As We Knew It?! Because if those folks at NASA had come across this startling, hauntingly realistic young adult novel, I don’t know if they’d be making quite the same call!

Pennsylvanian teen Miranda is grappling with the usual issues of high school-related drama — and dealing with her changing family. Her father’s new wife is pregnant with their first child, and Lisa has asked her stepdaughter to be the child’s godmother. Miranda feels justifiably torn but agrees, and life continues in Howell, Pa., for Miranda, her mother and brothers Matt and Jonny. Until a meteor knocks the moon — our moon – closer to the Earth, drastically altering its gravitational pull. And then nothing is the same.

Life As We Knew It is Miranda’s diary — her chronicle of deteriorating conditions as earthquakes rock the U.S. (and rest of the world), unexpected volcanoes crop up and bury the world in ash and supplies become scarce. As with many natural disasters, no one is immediately aware just how bad things are . . . or how bad they’re going to get. The weather is still warm when the first tsunamis hit, wiping out much of the coasts, so questions of survival in the isolated, freezing Pennsylvanian town where the family lives don’t immediately crop up. But the strange, serene and almost idyllic life that immediately follows news of the disaster gives way to something much more intense — and terrifying.

What bothered me most about this book was how absolutely, completely real it felt. Miranda’s voice — at times angry, sad, resigned, bewildered, elated, enraged — rang as clear as a bell. I guess because I spent my late teens and early adulthood in a post-9/11 world, the slightest news of disaster and uncertainty brings me right back to that day, and I feel, personally, that I live in a state of hyper-awareness. Watching Miranda’s family stockpile food and supplies and seal themselves off from the world, becoming a unit and hoping only to live, despite everything, forced a pit to open in my stomach.

By turns frightening and life-affirming, Life As We Knew It is a masterpiece. Pfeffer’s language is eloquent without becoming clunky or condescending; Miranda sounds — and acts — like a “normal” teenage girl. We also get a glimpse into how religious beliefs play a part in the fear and grieving process of those “left behind” following the meteor’s impact, and I spent a good deal of time remembering how busy Sunday services seemed to get after 9/11. When faced with something beyond our control or comprehension — something looming, something horrifying — people react in a variety of ways. I’m certainly no sociologist, and I know Pfeffer doesn’t claim to be one, either, but she paints a picture of the various coping mechanisms with a deft hand. Miranda takes comfort in the fact that even though her own world becomes smaller and smaller, a larger one still exists . . . and is hopefully going to continue on, even without her. Not to draw a heartless parallel here, but that definitely reminded me of Anne Frank, the young Jewish girl whose diary written during her family’s time of hiding during the Holocaust has become such a moving, iconic glimpse into a terrible time in history. If the moon disaster were “real,” I have no doubt that Miranda’s journal would take on a similar feel. Although the Holocaust was a horrific act of human consciousness and, you know, the moon thing . . . would not be. But you catch my drift (I hope!).

There’s so much I could say about this novel — and so much I want to say — but I can’t give anything away! I read furiously, desperate to figure out how they were going to survive this mess . . . and though the novel ends with many questions, I had enough answers that I felt a sense of closure and could move on. Pfeffer’s companion novel the dead and the gone follows Alex, a New Yorker who must protect his sisters after tsunamis wipe out much of Manhattan. As much as I loved Life As We Knew It, I’m not eager to return to the dystopia of disaster-ridden Earth any time soon . . . my poor, tender heart needs time to recover.

If you’re a fan of dystopian literature, post-apocalyptic tales, family dynamics and stories of the tenacious human spirit, please don’t miss this one. I don’t know that I’ll ever be able to look at the moon the same way again!


4.75 out of 5!

ISBN: 0152061541 ♥ Purchase from AmazonAuthor Blog

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Book review: ‘Catching Fire’ by Suzanne Collins

catching_fireThis review is for Catching Fire, the highly anticipated sequel to Suzanne Collins’ The Hunger Games. If you haven’t read the first novel and think you just may, skip this review to avoid SPOILERS (and then come back and see me later, of course!).

So. Katniss Everdeen defeated the Capitol, emerging from the Hunger Games hand in hand with Peeta Mallark, a young man from her home of District 12 who professed his undying love for her and saved both their lives with his devotion. Having emerged the victors in a gruesome, terrible tradition that plagues their nation of Panem, a country risen from the ashes of the United States many years before, Katniss and Peeta return home hoping to regain some sense of normalcy after their horrible ordeal.

The only teeny, tiny issue? The Capitol isn’t at all pleased with Katniss’s act of desperation to spare them both — and the fact that the government was forced, by way of popular sentiment, to allow Katniss and Peeta to emerge from their sadistic games together. President Snow sees through Katniss’s professions of “love” for Peeta, knowing that underneath the facade is the young woman — a “girl on fire” — ready to start the spark that will catch Panem up in the flames of rebellion. And something will be done about it.

Again we make our journey with Katniss, our narrator, who is still strong, lean and powerful after finally having enough food to feed herself, her mother and younger sister Prim. She and Peeta’s victory in the Games have brought rewards to their entire home district, providing hope where it had long ago been distinguished. But fear over the ramifications of her actions in the Capitol have replaced the gnaw of hunger in Katniss’s belly, and she walks around waiting for the other shoe to drop. She knows she can’t possibly be allowed to walk around unscathed after her act of defiance, and I waited right along with her.

Who else is waiting? Peeta, it seems — for Katniss to make a decision. Their return to District 12 hasn’t changed his unflagging feelings for his fellow survivor, but Katniss is mired in confusion over another issue entirely: Gale Hawthorne. At some point, her best friend became so much more than that . . . and, despite the assertions by the Capitol and Katniss’s family that they’re “cousins,” thereby posing no threat to Katniss and Peeta’s very popular relationship, those closest to them know differently.

Katniss has so many choices to make — and it’s hard to think clearly when she lays awake at night, plagued by nightmares and too afraid to doze off. Life becomes about waiting — and planning. Confusion. Desperation. And, as the story takes yet another unexpected twist, desperation to save the lives of those she cares about — and one in particular.

Catching Fire seems to have its own embers beneath each page, glowing strongly as the story progresses. Panem’s anger — and the Capitol’s — simmers just below the surface, threatening to blow the entire thing wide open as though it’s doused in kerosene. I had a hard time believing Katniss was so naive as to think she couldn’t possibly be seen as the face of a rebellion, the eternal symbol of hope and defiance in the face of the Capitol’s tyrannical rule. Still, she genuinely seemed shocked over the charges brought against her . . . at least, at first. Then, with dogged determination, she seemed to accept them — and, eventually, embrace them. I like that about her.

The second novel in Collins’s series definitely felt like a second novel to me; we know all about the terrible things that have happened before, and we know terrible things are yet to come. I didn’t feel any relief as the novel opened, knowing that Peeta and Katniss were back in their district — because surely, all sorts of awful stuff was bound to hit them in the very near future. And it did. Similarly, we know another book will follow this one, furthering the storyline as more and more kerosene is added to the flames in Panem. As with The Hunger Games, we end on a serious cliff-hanger — and I dug my fingers into the book as though I, too, were hanging off the edge of a precipice. It was scary.

Though I was unbelievably invested in this book and spent two consecutive nights reading until 2 a.m. to finish, I have to say that some of the plot points here felt very familiar — as though we’ve already lived this before (maybe because we have?). I didn’t see some of the plot twists coming, but I did have a pretty good idea why things were happening as they were (sorry for the vagueness here, but I’m trying so hard not to ruin anything!). It was hard for me to believe that Katniss — determined, brave, loving — didn’t understand it, too. But if I’m putting myself in her worn shoes, I guess it would be hard to see what’s sometimes right in front of us. Especially if we don’t want to. Though it just bothered me, I guess.

A worthy, compelling and heart-pounding read that furthers the plot — and world-building — of Suzanne Collins’ outstanding The Hunger Games and brings up many questions about government, society and media, but don’t expect to find any relief after finishing. That seems as elusive as quieting a mockingjay.


4 out of 5!

ISBN: 0439023491 ♥ Purchase from AmazonAuthor Website
Personal copy purchased by Meg

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