No novel in recent memory has enchanted me more than Eva Rice’s The Lost Art Of Keeping Secrets. In fact, it’s going to be hard to even try and review it objectively — I just thought it was that magical, exciting, and engrossing, and if I could build a time machine and travel back to a time in which I hadn’t read this book, I’d be packing my suitcase and returning to last week, friends — let’s experience this novel all over again!

Penelope Wallace is a young woman growing up in post-war London — a city still emerging from the ash of World War II. In 1954, Penelope is battling the typical strife of an 18-year-old — attempting to figure out where she belongs in the world; losing herself in the excitement over her maddening crush on American singer Johnnie Ray. Compounded with that is her devotion to her mother, Talitha Wallace, a gorgeous but fragile woman lost in her memories of the past . . . and of Penelope and her brother Inigo’s father, killed in the war. Try though they might, neither of Talitha’s children are able to be the graceful teens their mother so desires and Penelope, with her father’s fair looks and tremendous height, towers over her petite, raven-haired mother — a fact that Talitha finds very distressing.

Penelope is waiting for a bus the day Charlotte Ferris waltzs into her life, sweeping Penelope up and dragging her to tea with her Aunt Clare and unconventionally handsome, enigmatic cousin Harry. The new friends quickly become inseparable, and Penelope reluctantly brings Charlotte and Harry to the great home she, Talitha and Inigo share with aging servants: Milton Magna, an estate that has been passed down through Penelope’s father’s family for generations . . . but has since fallen into disrepair. Money becomes a dirty word at Magna, where none of the Wallaces have any, but Charlotte and Harry – members of the British upper echelon themselves — care little about that. Everyone seems enchanted by Penelope, a young woman who isn’t the least bit enchanted with herself — but is getting there. And with Harry’s crackpot scheme to make his American ex-girlfriend, the dramatic Marina Hamilton, overwhelmingly jealous, Penelope’s life will shift forever.

Between the lush, descriptive and gorgeous writing, British setting and realistic, moving romance, Eva Rice could have written this novel for me and me alone. Add in the fact that’s historical fiction – set in the 1950s, one of my favorite time periods — and that it deals, all at once and never heavy-handedly, with themes of grief, loss, death, hope, love and, of course, the classic coming-of-age tale, and I can say right now: I’m not sure how I could have loved this book more.

Penelope and Charlotte are the best friends we all long to have: friendly, intelligent and sparkly — full of energy, excitement and the eternal optimism of the young. But growing up under the enormous, dark umbrella of World War II gives Penelope a distinctly unique perspective as a narrator. Unlike her friends — even Charlotte — who seem to feel guiltless now consuming massive amounts of food after rationing has ended, Penelope struggles with her conscience over how to live now that the war is over. After all, she never knew a world without war — and she barely remembers a world where her father was alive. I really related to Penelope — because that’s how many American children feel about growing up in a post-9/11 world. And how I feel, too — I was only sixteen at the time. But I digress.

My own love for Harry, an aspiring magician, developed slowly — but when it hit me, it hit me. His ability to make everything and nothing appear as it seems was just the diversion the girls needed from their crumbling homes and uncertain lives, and I desperately wanted him to get over his ridiculous infatuation with Marina. Harry’s interactions with Penelope made my stomach flip in all the best ways, and I found myself flipping ahead to see when he would appear again. That’s how I know I’m in love, friends — when I just can’t bear going a few pages without seeing him.

But everything in between those pages with Harry? Fantastic. Rice dropped me right in the middle of Milton Magna and, imposing though the house seemed, I would have loved to spend an evening listening to records with the girls, drinking wine and chatting about love, life and nothing. So swept up in the scene was I that it was hard to imagine a time before I’d read about a place like Magna, as much a character in the novel as Penelope herself.

If I’d been in London in 1955 (oh, the joy!), I would have been running to the Palladium to see Johnnie Ray sing — and died a thousand happy deaths just thinking he may have spotted me in the audience. Having been an enthusiastic teenage girl myself, I immediately related to Charlotte and Penelope preparing to see their favorite singer for the first time. Remembering the first time I saw Hanson – a modern equivalent, in terms of fan loyalty, to Johnnie Ray – I can still hear the own desperate tremble of my voice when the boys took the stage. You never feel more alive than you do in that moment the stadium goes dark — the seconds just before the object of your unending devotion takes the stage and lets out one single, perfect note. I’ve never seen an author so perfectly capture those feelings of obsession and lust — a writer so capably explaining what it means to love, truly love, a musician and his music. And not in a mocking way, and that’s the key. Rice just really gets it.

Oh, I could go on and on about The Lost Art Of Keeping Secrets, but I don’t want to take up any of the time in which you could actually be going out to get this book. Lovers of British fiction, England, women’s fiction, historical fiction, post-war stories, love, romance, loss, friendship . . . it’s here. All of it. And the only thing I didn’t enjoy about this novel? The fact that it had to end. I would have easily read another 500 pages without stopping!


5 out of 5!

ISBN: 0525949313 ♥ Purchase from AmazonNovel Reading Guide
Personal copy obtained through BookMooch

if_i_stayA new giveaway — just in time for the holidays! I have one hardcover copy of Gayle Forman’s If I Stay a very moving young adult novel – up for grabs.

You’ve probably heard rumblings about this book all over the blogosphere — and right here on write meg!, too. I reviewed the book in November and have thought about it many times since.

If I Stay is the story of 17-year-old Mia, the lone survivor of a car crash that claimed the lives of her family one snowy day in Oregon. As she moves in and out of consciousness following the accident, she realizes she’s caught in between two worlds — and that she has a choice. Does she leave this world to rejoin her family, giving up every dream and hope her parents helped her develop, or does she return to a life without them?

If it sounds powerful, that’s because it is. And now you can read it too!


Want to enter?

Just leave a comment on this post, and make sure I have your email address.

+1 Get one additional entry for Tweeting about the contest [ Sample tweet: Win a copy of IF I STAY from @writemeg right here: http://wp.me/pgjFL-1pU ] or posting about it on a blog, Facebook, etc. Just include a link in your original comment OR leave me a separate one — whichever works best for you. I’m not picky.

The contest runs through 12 p.m. (noon) on Wednesday, Dec. 23. I will select one person by chance through Random.org and will email the winner to let them know! Your book will be in the mail after the holidays. (Lord knows I won’t be there on Christmas Eve — sorry!)

Contest is open to U.S. residents only, please.



Good luck, and happy holidays!

I’m a hopeless romantic.

This has gotten me into trouble many, many times when, despite the fact that I tell myself to relax, be calm and just enjoy the moment, I inadvertantly find myself adding my first name to the last name of a young man about .386 seconds after meeting him. I’ve tried to train my brain to stop misbehaving — to just relax and not overthink anything. But I can’t help myself from looking at the way in which I meet someone and deciding if it makes a good “story.”

Do you know what I mean? It’s one thing to say, “Oh, yeah, I met my boyfriend/husband in college” or ”We were introduced by a mutual friend.” Both totally reasonable, respectable ways in which to meet someone. But I can’t shake the feeling that I want a significant story to tell for the rest of my life — this moment of kismet, or destiny, that brought me to The One. That I just happened to be at this particular cafe on this particular day and he just happened to be there, too . . . and we spoke. And knew. Destiny, a la “Sleepless In Seattle.”

Needless to say, this hasn’t happened to me — not in a lasting way, anyway. Most of my relationships over the last eight years have been gradual, growing experiences – men I met through school or work who, over time, became more than just friends. The closest I’ve come to some great, cosmic love match was when I met someone at a wedding five years ago — and I knew, instantly, that I was in love. And fall, fall I did — so incredibly hard. When it was over, I blinked like a newborn baby and had to readjust my footing in the world. It took a long time to feel okay again.

But now, I’m way more than okay — and, despite a recent spate of bad dating luck, I feel happy, confident and free. My tendency to examine “stories” surrounding the circumstances in which I meet cute guys will probably never change, but at least I can indulge in that in a safe fashion. By not placing my own heart on the line so much, so fast, but reading about other people doing just that.

Enter the Craigslist “Missed Connections.” Of the many things I enjoy in life, I’d have to place the MCs somewhere near the top! Whether I’m looking for something to make me giggle, roll my eyes or restore my faith in romance, there’s something there for me — something so . . . weirdly romantic and disconnected all at once. Plenty of the ads can set off my Creepy Meter, sure, making me question whether these people are sweet or unstable stalkers. But most of them are just lovesick. Like “You’ve Got Mail,” one of my favorite films ever, it’s the push-and-pull romantic tension that’s so appealing to me — the “will they wind up together? Can they really find each other?” energy.

As I’m from the D.C. area, I spend my time culling the MCs in and around the District. Like any major city, people from Maryland, D.C. and Virginia spend a vast amount of time on public transporation — in our case, the Metro. It never ceases to amaze me how many people spot some “hottie” (do people still use that word? Apparently) on the yellow or red or green line and decide to hop on Craigslist to look for them. What are the odds the object of your affection even saw you? How did you wind up in the same train at the same time on the same day? Is anyone (other than me!) actually reading these?

Destiny. Either you’re meant to connect . . . or you’re not.

Here’s my favorite in recent memory, a “m4w” (man seeking a woman) called, “Dana, I miss you. Read this.”


I’m sorry for the way I hurt you, and the way I treated you.
It was not right, and I am ashamed of the person I was to you.
No one deserves to be treated like that — not even the worst of the worst.

I miss you.
I hope you want to see me, too.

Let’s go to Clarendon Ballroom, let’s do Ibiza. Let’s do WHATEVER you want. NO LIMITS!

I want you to be my first New Year’s Kiss.
I want you, and only you.


Friends, tell me that’s not modern romance. If I were Dana and came across that in my daily travels around the Internet, I’d be leaking tears all over the keyboard and calling that guy to book a flight to Ibiza ASAP. I mean, seriously.

A “Missed Connection” like that is a Grand Gesture — a declaration of affection, often public, that makes me believe in serious, sweeping love. Each time I see/read a Grand Gesture, I file it away in my brain and use it as ammunition for pulling myself up when I get down on romance. They’re scary . . . and the ultimate leap in faith. I’ve seen a few in my own life — and even been the object of a few. And they’re everything that’s great about living.

But that will be “Why I’m a hopeless romantic, vol. 2″ — because there’s plenty more where this came from!

Nan Hutchinson wanted to make it right.

Really, she did. It wasn’t her fault that nannying for the Xes, a prominent family in New York City’s elite, had almost cost her her sanity. It’s been more than ten years since Nanny was employed by Mr. and Mrs. X, two people who put more value in making money and spending it than they did caring for their only son — because that was Nan’s job, see, and one she took seriously. And did well.

And maybe a little too well. Because after Grayer begins to show more favor for Nan than his own mother, the Xes decide the best course of action is to rip Nan away from her young charge — and she hasn’t seen Grayer since, nor been given an opportunity to say goodbye. Grayer grows up believing he’s been abandoned by her, just as he’s already been abandoned by his selfish, neglectful parents. And in all this time, Nan has never been given a chance to explain.

More than a decade later, Nan, now 33, has finished her master’s degree and married Ryan (also known as H.H., or “Harvard Hottie,” a former resident in the Xes’ high-rise). The couple has spent the past few years of their marriage touring the world for Ryan’s work with the UN, but the time has come for the two to settle back in their native world of New York City. Nan has started her own human resources consulting business and is struggling to find her first “big” client as the pair move into a dilapidated home downtown — a place in which, Ryan hopes, they’ll be starting their own family. Soon. Like, soon soon — or as soon as the renovations can be completed, anyway.

But Nan’s not so sure. Just being back in the same vicinity of Manhattan’s elite brings on a serious case of post-traumatic stress over the X debacle, and the stress she feels considering how simple it is to scar a child for life isn’t to be taken lightly. The Grayer in her mind’s eye is still screaming for her, desperately wanting to know why she left him — and the image won’t quite fade. It’s in this in-between state of trying to organize her new life in a house that’s falling apart in a new but familiar world that she receives a knock on the door, immediately pulling her back to her 21-year-old self. It’s Grayer, now 17 years old. And with a lot on his mind.

Emma McLaughlin and Nicola Kraus’s Nanny Returns, the sequel to 2000’s bestselling The Nanny Diaries, follows Nan as she navigates the chaotic world of lies, betrayal, elitism and passing the buck — but also details redemption, forgiveness, growth and, mostly importantly, the power of family. By turns laugh-out-loud funny, poignant, heartbreaking and rage-inducing, you couldn’t have pried Nanny Returns from my cold, blogger-weary fingertips. (Unless you have a really, really strong grip.) It was my constant companion for three days, pulled out at any opportunity I had to read a passage or two. Because really, it’s that entertaining — and just that good.

First, confession time: while I’ve seen the 2007 film based on The Nanny Diaries starring Scarlett Johansson as Nanny and Paul Giamatti and Laura Linney as Mr. and Mrs. X, respectively, I’ve never actually read the book. I know, I know — the shame! Still, I’d heard wonderful comments on how entertaining and eye-opening it was and, since I’m obsessed with all things related to Manhattan’s upper echelon — a la “Gossip Girl” — there was no way I could pass this one up.

And since I’ve seen the movie and remember it quite well, I had no trouble at all jumping right into the plotline. I’m sure there were plenty of inside references to events that happened in The Nanny Diaries that I just wouldn’t have picked up on, but I can’t say that troubled me in the least. McLaughlin and Kraus did an excellent job of giving me all the background knowledge I needed to move forward but, I’m sure, not overwhelming folks already well-acquainted with the characters.

What really made the book for me was the independent, forward-thinking and proactive Nan — an excellent example of a capable woman who hasn’t been hardened by life’s experiences. While she’s sensitive and compassionate, she’s hard-working and serious, too — and I loved that all of these attributes could exist in one person. Too often I find a novel led by a meek, twittering heroine, and I just can’t stand it. (I know that’s ironic, considering my devotion to the Twilight series, but humor me. Please.) Nan is capable and ready to handle life’s challenges, and I rooted for her from beginning to end — knowing that no matter what happened, she could handle it.

And I’m a little bit in love with seven-year-old Stilton X, the unabashed object of his brother Grayer’s devotion. What a charming, loveable kid! Each character in the story was so well-drawn, I felt like I would be able to recognize them on the street — and would love to strike up a conversation with them. Stilton, in particular, brought out the serious nurturing instinct in me, and if I could have reached into the pages to smooth his hair and pour him some cereal for breakfast, I absolutely would have.

My favorite part of the novel is, without a doubt, the fact that everyone gets their just desserts sooner or later. By the novel’s closing pages, I could have jumped out of bed and done a happy cheer. In fact, I found myself pumping a fist and whispering “YEAH!” in the waning minutes of my time with Nanny Returns, just psyched to see that Nan isn’t the only one capable of defending herself and the people she cares for.

Don’t miss out on the latest installment in this series, read easily as a stand-alone or as a great complement to the first novel in the series. And I’m about to do something bizarre, even by my standards: I’ll be going back in time to read The Nanny Diaries just as soon as time allows!


4.5 out of 5!

ISBN: 0786891084 ♥ Purchase from AmazonAuthor Website
Review copy provided by publisher

Oh, the holidays — mountains of presents to buy and food to prepare; invitations to be extended and cards to write. With the endless blur of activity and tasks to finish before finally settling down to enjoy Christmas Day, who has time to, oh, process what any of it really means?

Well, Vanessa Channing wants things to be different. After traveling every year with her husband JT and twin boys from Los Angeles to the snowy suburbs of Massachusetts, Vanessa has elected to stay home in L.A. and enjoy more of a secluded Christmas. This drastically changes plans for the Boston-based Channings, however, and JT’s brother Richard — along with his wife, Patience, and teenage daughter Libby — decide that rather than spend their holiday without their family in Massachusetts, they’ll just bring the holiday to Vanessa’s family.

That’s all well and good — except that Patience, Vanessa’s sister-in-law, is totally Type A and crazy about Christmas. Though they’re now on the West Coast and there’s nary a snowflake to be found, Patience brings her conventional ideas of a “traditional” holiday with her, and Vanessa wants little to do with it. After JT comes down with the flu, leaving Vanessa to entertain and prepare for the big day alone, the life vest she’d been wearing to get her through the season begins to deflate.

And toss in a seductive playwright who desperately wants her “assistance” with a new piece he’s writing; her artsy, unhelpful sister Thea who can’t commit to a new installation or boyfriend; Carol, her mother, and Carol’s new, meddling boyfriend? Yep, recipe for disaster.

Sandra Harper’s Over The Holidays is a tongue-in-cheek look at those traditions that both bind and break us, and the maniacal way in which we all flutter around this time of year — trying to be everyone to everybody. I loved that the book was based in Los Angeles, giving us a glimpse of a warm-weather Christmas — something I find fascinating! And Harper did a solid job discussing the Channing traditions and their meaning to each individual member.

While the novel was definitely a fast, entertaining read, I had a hard time getting past my annoyance with several of the characters. The Boston-based Channings — Richard, Patience and Libby — came across as such stereotypical, uptight New Englanders, and they felt more like caricatures of WASPs than real people. Like Vanessa, Patience’s OCD began to really grate on me. And if it was supposed to? Harper did an excellent job! I came dangerously close to wishing I could grab her by her skinny, twinset-wearing neck and give her a good slap. And Libby, their teenage daughter, was so incessantly whiny, ungrateful and selfish that I would have been tempted to ditch her in L.A. on my way back to Massachusetts.

Through our all-knowing, third-person narrator, we’re able to dart in and out of the minds of every character in Over The Holidays – a fact I found jarring. Vanessa seemed to be the story’s anchor and principle player, and I think I would have enjoyed the book better if I’d seen everything through her filter — and gotten her “side” of things more clearly. Thea fascinated me, too, and was my favorite person in the novel; I could have enjoyed the story as told by her perspective, too. Her examination of what the holidays “mean,” as explored through her art, was an interesting concept. Seeing even more of that would have been fun.

Overall, a fast and simple read which satisfied my desire to read something with a Christmas bent. A little more substance in the story would have rounded out my holiday feast, but I’m happy to have spent some time with the Channings in their pursuit of something lasting — and something real.


3.5 out of 5!

ISBN: 1439158703 ♥ Purchase from AmazonAuthor Website
Review copy provided by LibraryThing’s Early Reviewers program

So after a very long dry spell in which I spent the majority of my time editing, reading and reviewing other people’s books, I’ve recently returned to a novel I started over the summer. I wrote about 17,000 words — roughly 50 pages — before hitting a wall with the plot. It didn’t take long for me to back away and find something else to do . . . anything else to do, really. Like reading books. And making stuff. And cleaning. And blogging. And getting all excited over a boy I met this fall – before just trying to forget that boy.

But now? It’s December. I think I’ve had plenty of time to enjoy holiday preparation, read, shop, make things and, oh, live outside the confines of one single Word document. So the moment to return to a vast and terrifying world of my creation had come; it was time to get back to that novel.

The only trouble there? I was terrified.

When I started work on this story several months ago, I felt I’d hit a stride — and was finally writing in my own “voice” and fleshing out a unique story only I could tell. It was fiction, sure, but my own little brand of fiction! I’m sure that’s arrogant and ridiculous. And maybe all writers feel that way. (Do they? I don’t know.) Basically, I didn’t think my story sucked. Was it going to win a Pulitzer? Probably not. And especially not if I only had fifty pages written. But it was a start.

Pulling up that document a few days ago was stomach-pain-inducing. Through my NaNoWriMo troubles this year, I kept reminding myself that I did have something on the backburner — I couldn’t be too mad at myself because I did start a new novel this year and, with any luck, it wouldn’t be terrible. I can still call myself a writer because I do write, and I have written something in 2009!

And I would finish it, bringing the grand total of My Life’s Important Body Of Work to four novels and a fat portfolio of random, mostly lovesick poetry.

If my book on the backburner — this project I thought could be The Project, see — turned out to be drivel, I’d be back to that insecure, terrible beginning: trying to find a healthy, viable plot. And that can be kind of a scary place to be. And by “kind of,” I mean really, really scary.

So imagine the general bolstering of my spirits when I clicked open the book — creatively titled “Movie1.doc,” as part of the plot revolves around the writing of this “very important” screenplay – and read ten pages. And laughed. And then read ten more — and smiled. And then read the remaining thirty pages or so and immediately began writing, shoving right past the creative wall I’d struck headfirst before to push the story forward by miles. I can already spot some plot holes and definitely need to deal with a switching-to-present-tense in the middle of the story issue (you know, um, minor things like that), but overall? I’m liking this – genuinely liking it.

And instead of just worrying about the story “going somewhere,” I’m going to make it go somewhere — without the endless drama and excuses on my part. Writers write, and I am a writer. December is my month; 2010 will be my year. Posting this is a way of forcing my own hand — of publicly stating this serious promise to myself. And it’s one promise I will definitely be keeping.

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